Picturesque Goa

Picturesque Goa
NOSTALGIA - Articles,Poems & Photos

TONFERNS CREATIONS

TONFERNS CREATIONS
TONFERNS CREATIONS - Tony's Art & Hobbies
Showing posts with label Tonferns Pyrographic Art. Show all posts
Showing posts with label Tonferns Pyrographic Art. Show all posts

Thursday, July 12, 2018

Birdie Num Num - Tonferns Pyrography


 


Woodburning by Tony Fernandes

This phrase was made famous by Peter Sellers in the movie "The Party". It was supposed to stimulate a parrot to interact with Peter and eat the seeds that Peter was "bombarding" the bird with. It didn't work, but the phrase lives on thru the fans of "The Party" which use "Birdy num num" for no other reason than to remind each other of the movie so they can start crackin up !!!


Wednesday, May 02, 2018

Home Sweet Home

No automatic alt text available.

Pyrographed Wall Decor

6" x 2.5" - 1/4'" thick pine wood
Tony Fernandes
TonFerns Creations

Friday, July 13, 2012

TONY'S GOT A WOODEN ART


For a full-size view 
please click on photo.

Tonferns Creations

Wood burning (pyrography) on plaques
 (basswood, poplar or pine).
Various sizes.
 Also wood burning on keepsake boxes,
and bowls made out of coconuts.

Monday, July 02, 2012

TONFERNS CREATIONS - WOOD BURNING


TONFERNS CREATIONS
at
  ARTFEST KINGSTON - Ontario

Wood-burning art of Tony Fernandes

With grateful thanks to
Lori MacDonald
having given me the chance
to participate in this event.

Pyrography is the art of decorating wood or other materials with patterns or drawing burnt into wood resulting from the controlled application of a heated stylus attached to a hand-held pen. It is also known as pokerwork or wood burning.
Pyrography means "writing with fire", from the Greek "pur" (fire) and "graphos" (writing). It needs a lot of practice to control both heat and pressure on wooden surface in order to achieve the desired effect. Specialised modern pyrography tools, or using a metal implement heated in a fire, or even sunlight concentrated with a magnifying lens.
It is possible to achieve a large range of range of tones and shades over a period of time. Varying the type of tip used, the right temperature for a particular artwork, or the way the hot tip is applied to the material, all create different effects. After the design is burned in, wooden objects can be coloured, or just plain clear varnished, although my personal preference is to keep it natural. Light-coloured wood like sycamore, basswood, beech, poplar and pine are most commonly used, as their fine grain is not obtrusive, although in some cases grain features can be worked to advantage. Pyrography is also applied to leather items, using the same hot-iron technique.


Friday, June 25, 2010

MEMORIES OF THE GEMINI FOUR








Pyrographic Drawings
on Coconut Keepsake/Snack Serving Bowls

Bowls and Pyrography (Wood-burning Art)
by Tony Fernandes - TonFerns Creations

THE GEMINI FOUR –
The First Beat Group in the U.A.E.
It was way back in the early seventies that I heard about a pop music band called Gemini 4 that comprised of 4 young lads. It was the first beat group at a time when the place was known as the Trucial States of Oman.

I worked in Abu Dhabi at that time. Three of my young friends had formed an amateur beat group, and I was a novice in their band being the fourth. But the instruments that we wanted were not available in Abu Dhabi during those days then. So one fine weekend my friends and I decided to travel all the way to Sharjah, one of the seven Sheikhdoms, where we were told to meet an agent called Mr. Carvalho, who directly imported Hofner guitars from Germany. Mr. Carvalho
 also owned a tailoring shop. Having purchased a Hofner Galaxy rhythm guitar, a Hofner bass guitar and a Hofner amplifer RV50 from Carvalho, we left the equipment at a friend’s house there. At the same time we had also decided to take the opportunity to hear the beat group called Gemini 4 while we were in Sharjah over the weekend.

Having nothing much to do early that evening, my friends and I decided to go for a walk along the narrow road by the Sharjah Creek, pausing to watch the dhows continue to load and unload their cargo until after sunset. It was then that we thought we should go back to our friend’s house and relax for a while before proceeding to hear out this band that everyone in Abu Dhabi spoke so highly about. 


The venue that this beat group played at was then known as ‘Sea Face Hotel’ - a structure that was converted from an imposing old fort with rooms, a sprawling courtyard and a night-club attached. It was located along the wharf, facing the entrance of the Sharjah creek. Having been told that it was not so far away from the place where we were supposed to stay for the night, we decided to walk to this hotel. In our attempt to take a short cut we trudged through the dark lanes in ankle deep sand for about half a kilometer, and finally arrived at the venue nearly exhausted. Taking a deep breath, my friends and I made our way through the gates, and just as we were about to enter the night club, I saw a tall man at the door just to make sure the right type of people were entering the club. We sat at our tables and ordered a round of drinks. After some time the same tall man at the gate approached the stage, picked up a guitar, joined the band and started playing.


The band played the current hits of the time. One song that was a huge and raging hit was ‘Happy Together’ by the Turtles, and it was in this night club at that great splendid evening that I heard the first cover version of the song by the Gemini Four. Other hits included Scot McKenzie’s ‘San Francisco’ (Be sure to wear flowers in your hair), Marmalades’ ‘Ob la di, ob la da’, Booker T & the MGs' Time is Right, Bee Gees’ ‘Don’t Forget to Remember Me’ and the best 'Shadows' and 'Ventures' music ever!


Making the group of four were the lead guitarist, rhythm guitarist/singer, bass guitarist and a drummer.

The new Sea Face Hotel was later opened along the main street called Al Arooba Street where the Gemini Four continued playing in the following years.


In the mid seventies I moved to Dubai, then known as United Arab Emirates, where I heard them play at several shows, like Christmas, New Year, Easter and May Queen Ball, Autumn Ball, Weddings and other events.


That was forty years ago. And I have not "forgotten to remember" this wonderful foursome bunch of musicians of the fabulous days of my youth. Those were indeed the days my friends.
                           *****************
However, having said all this so far, I would like to remember, pay due respect and mention here that the original drummer of the Gemini Four was Victor Albuquerque. Unfortunately, I am sorry to mention as a tribute here that he died in a tragic road accident on 18th April 1969. May his soul rest in eternal peace. His brother Ray replaced him until Ersel joined the band.

                                     *****************

As uncanny as it can get - 'the tall man at the gate' and the tall man who picked the guitar and started playing was the same man -  none other than the lead guitarist Edgar Valentine, who on a visit to Canada 40 years later, came over to our place in Mississauga with our friend Lino, with a guitar and played lead along with a back-up track of 'The Shadows' at our place (which he had brought with him saved on a stick) and played through my DJ Music system.
         

Saturday, June 27, 2009

THE FUJEIRAH TREE - A Pyrographic Drawing

'The Fujeirah Tree'
Wood-burning
by Tony Fernandes

In fact I am new to this art. This is my first 'Woodburning' drawing done with a 'pyrographic' pen - a very kind and thoughtful gift from my three children on 'Father's Day', 21st June, 2009. Having received it in the mail, I immediately put it to the test. After a few initial strokes I got to 'wood-burn' some scenes on a scrap piece of wood. And then by the third day I had already successfully 'pyrographed' the above drawing.

I have always been fascinated by silhouettes of trees. And photographing the forlorn acacia trees of Fujeirah (U.A.E.) were no exception, especially against a backdrop of the spectacular Hajjar mountains. This first project was inspired by the encouragement from my youngest daughter, after browsing through the photographs of these trees that I had taken a long time ago. My children were very young then. In those wonderful days we drove to picturesque Fujeirah (East coast of the U.A.E.) on enjoyable picnics more than 140 kilometres from Sharjah.

The size of the end-grain wood block (bass wood) is 13 x 9 inches approx. and the drawing is burnt into the wood using a single standard supplied pen. Various shaped tips and pens are available for achieving different textures, contours and designs.