Picturesque Goa

Picturesque Goa
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TONFERNS CREATIONS

TONFERNS CREATIONS
TONFERNS CREATIONS - Tony's Art & Hobbies

Friday, May 30, 2008

Blue Skies (Video)




Blue Skies - sung by Jim Reeves
Video adaptation by 'tonferns'

Jim Reeves

Jim Reeves was very popular in India during the 1950’s and 1960’s. His songs were frequently played on Radio Ceylon (now Sri Lanka), Emissora de Goa (a radio station in Goa up to 18 December 1961) and All-India-Radio Bombay. His records were pressed by HMV in Dum-Dum, West Bengal, India. They were available in Bombay and all other major cities in India.


Today in the west some people are surprised when I mention Jim's name, while others (born and brought up in North America) have never even heard of him. The first song by Jim Reeves that I heard when I was a kid was ‘He’ll have to go’. Ever since then I’ve remained hooked on to his songs. Jim Reeves was very popular in India and Ceylon for his sentimental songs since in the 1950 and is a popular choice in many Goan homes. His songs were aired daily on request programs of Radio Ceylon (now Sri Lanka) and on Emissora de Goa’s (now All India Radio Panjim) Sunday afternoon listener’s choice programme.


In Bombay (now Mumbai), during my teens in the mid-sixties, I used to save on bus-fare by walking home from college. But on the way I used to spend it by listening to Jim Reeves 'Snowflake' on the juke-box, over a cup of coffee, at Cafe Mondegar in Colaba, near Regal Cinema.

In the 1960's and 1970's, many people in the Indian Sub-continent owned gadgets what were known as 'Radiograms' that played LP Record, 78's and 45's in addition to receiving radio programs on Short Wave and Medium Wave Radio. Walk into any Goan home in Bombay, from Colaba to Bandra, Byculla to Dhobitalo, or Mahim to Worli, you would invariably hear Jim Reeves playing in their home. Ricky Nelson, Elvis Presley, Cliff Richard, Engelbert Humperdinck or Billy Vaughn and Bill Black Combo were also popular in many record collections.

During the time when I lived and worked in Dubai in late 1960's and 1970's, Jim Reeves' records, being an RCA label, were then not available in the Trucial States of Oman (now U.A.E.), but since the LP's were pressed in Dum Dum, India, folks who travelled to India on their annual vacation, often purchased them there.

Yeah...but most of all, and all this being said and written about the great Gentleman Jim, I'll never change anything that holds the memory of him. Oh yeah! (now, if you like Jim, try to sing those lyrics based on his song: 'I'm gonna change everything. Ageless tune, everlasting song!)

Click on the following link and give it a listen. Turn up the volume and enjoy the lyrics and the rhythm.

http://www.youtube.com/watch?v=bdz1Par0Wns

Among many songs by Jim Reeves in my collection, ‘Blue Skies’ still remains a favourite. Click on 'play' to listen. I hope you will enjoy it too. It was composed by Irving Berlin in 1926.

Lyrics:

Blue skies smilin' at me


Nothin' but blue skies do I see

Bluebirds singin' a song

Nothin' but bluebirds all day long.

I never saw the sun shinin' so bright

Never saw things goin' so right

Noticing the days hurrying by

When you're in love, oh my how they fly.

Blue days, all of them gone

Nothin' but blue skies from now on.


Jim Reeves was born in Galloway, Texas, on 20 August 1923. He died in a plane crash during a violent thunderstorm on 31 July 1964. He was well-known for his warm, velvety, baritone voice and often referred to respectfully as ‘Gentleman Jim’. Among his various other numerous hits and touching songs were ‘Adios Amigo’, ‘Welcome to My World' and ‘Am I losing you’. His Christmas album still remains as the best of all time.

During the 1960's, if one walked into a Goan family home that had a 'radiogram' it would undoubtedly have been a Jim Reeves 12 inch vinyl record spinning on the 6-LP stackable record changer.

                In the 1970's compact cassettes arrived on the scene followed by CD's in 1980's. Some of his recorded tracks were released by his widow, Mary Reeves, after his death with additional instrumental back-up.
Incidentally, MARY REEVES was born on 20 Jan.1929 and died on 11 Nov.1999.
Today, walk into any Goan home at Christmas time, and it will be Jim Reeves' Christmas album, in all probability, a CD.

                Forty-fours years after his death, his songs still continue to sell on CD's. The inscription on the pedestal of his life-size statue at his memorial in Carthage, Texas, reads as follows:


"If I, a lowly singer, dry one tear, or soothe one humble human heart in pain, then my homely verse to God is dear, and not one stanza has been sung in vain."




GENTLEMAN JIM


Saturday, May 10, 2008

Lightning in Goa, India

Lightning in Goa, India
Photographed on Monday, 25 September 2000
Published in the Herald Newspaper (Sunday Edition)
Goa, 1 October 2000
(Streams of headlights created by passing vehicles
on the road from Mapsa to Calangute are seen on the right of the picture)
It was the time when I was on a 2-month vacation in Goa . It had been a normal day with the usual clouds that seemingly appeared to race through the September skies. Then at dusk there was a sudden calm and the skies darkened rapidly. There was sound of distant thunder and a strong wind blew across the village, accompanied by a light drizzle of rain. I happened to be at home that evening, sitting in the balcao (Port. for balcony) of my house in Canca-Parra, Bardez, Goa, just watching the traffic speeding by.
Inspired by thoughts of the possibility perhaps to photograph lightning, I realized about my chance of capturing it on film in Goa after a long time. So I rushed inside the house to get my camera and tripod. I hastily set it up facing south through the clearing among the trees in the direction of the faint streaks of lightning, that could be seen in the distance, more or less towards the lighthouse at Fort Aguada, Sinquerim.
After setting the aperture on the camera, came the long wait. I was hoping for the lightning to happen while I remained in the safe confines of the first floor balcony of my bedroom protecting both myself and the camera gear, from the wind and lashing rain. I lost a few exposures at first, as nothing exciting happened. I got a few exposures that I thought probably were not satisfactory. So I set the camera on 'B'. took the less cap off and waited again for a while. To my great satisfaction I was finally rewarded - or so I hoped till I got the film developed in Mapusa the next day to know about the final result. And here it is - witness lightning in Goa.

Wednesday, May 07, 2008

The Village Wells of Goa & 'Deu Boro Dis Dhium'


Down by the Village Well
GOA - India
(Pen and Ink drawing by Tony Felix Fernandes)

In the old days every village in Goa had at least 4 or 5 communal wells. My house was located near one of such wells. These wells provided us with crystal clear natural water for drinking, cooking, bathing, watering plants in our garden and trees around the house. Winding narrows paths from neighbours' houses lead to the well. Long before dawn I would be awakened by the noise of copper pots clashing against each other or as they were placed on the ledge of the well. When I was very young this well did not have a pulley. It was installed in recent times and makes drawing water considerable easy.

The beautiful common greeting in Konkani: ‘Deu Boro Dis Dhium’ (May God give you a good day or Good Morning) were the first words of the morning to one’s neighbour who we met when we went to draw water from the village well.


Konkani is an Indo-Aryan language belonging to the Indo-European family of languages and is spoken on the western (Konkan) coast of India. It is one of the official languages of India, the official language of the Indian state of Goa and is a minority language in Karnataka.

Sunday, May 04, 2008

BEYOND THE SUNSET (Video)


BEYOND THE SUNSET
There will be a blissful morning
Beyond the Sunset

Words by Virgil P. Brock
Music by Blanche Kerr Brock © Word Music, Inc.
Sung by: Mary Jo Stafford & Gordon MacRae

Beyond the sunset, O blissful morning,
When with our Savior heav'n is begun;
Earth's toiling ended, O glorious dawning,
Beyond the sunset when day is done.

Beyond the sunset, no clouds will gather,
No storms will threaten, no fears annoy;
O day of gladness, O day unending,
Beyond the sunset eternal joy!

Beyond the sunset, a hand will guide me
To God the Father whom I adore;
His glorious presence, His words of welcome,
Will be my portion on that fair shore.

Beyond the sunset, O glad reunion,
With our dear loved ones who've gone before;
In that fair homeland we'll know no parting,
Beyond the sunset forever more!

Main Picture: Sunset at Fisher Lake.
Near Kearney, Ontario.

Photograph by: Tony Fernandes

Thursday, May 01, 2008

FROM FAR CORNERS OF THE GLOBE

It was way back in 1970 on a test transmission of an FM station in Dubai, then a sheikhdom in Trucial States of Oman, now known as the United Arab Emirates, where I first heard Anne Murray’s songs on the radio. Her records and cassettes, and later, CDs were available in music shops there.


My family and I hail from a music loving community of Goa, a Portuguese colony for 451 years in India till 1961. Anne Murray’s hits, 'You Needed Me' and 'Could I have this dance' have been the most popular songs sung at weddings in Goa and at dance galas in the U.A.E. where we lived and worked for many years.

My wife, my three children and I immigrated to Canada in 1998. And of course we brought along with us modest collections of Anne Murray's records, tapes and CD's.

Recently, my children presented to my wife and myself, as a surprise gift in advance for Mother’s Day & Father’s Day. These were in fact tickets to see and hear Anne Murray at the concert in Toronto on Friday, 25th April, 2008.

This was indeed a great moment for us. Through the corner of my eye I saw my wife crying at the concert - I don’t know whether she noticed me - while I tried to hide my own tears. For us it was like a life-long dream come true. It is a concert that we will cherish for the rest of our lives. It has been a long musical journey of sorts for us listening to Anne Murray’s beautiful voice - first on the radio, then cassettes and LP's (38 years ago) and later CD's and finally live in concert. In the 80’s we often saw her on TV in the U.A.E.


My children grew up hearing her songs that I played at home through the years. I was also a DJ playing at weddings, anniversaries, birthdays and first communion parties and 'Blue Bird' was my signature opening number on many occasions.

My youngest daughter, Dahlia Fernandes, 25, is a budding singer/song-writer. Presently she is competing in the Young Asian Idol Singing Competition in Ontario.

This is a tribute to Anne Murray, appreciation and gratitude for bringing joy in our life through her songs.


Tony FernandesAuthor of: GOA – MEMORIES OF MY HOMELAND
(Poems & Short Stories) Published in Canada


Mississauga
Ontario

Sunday, April 27, 2008

AN ODE TO THE WOE OF A DYING PRINCESS


Ode to the Woe of a Dying Princess
Poem and drawing by Tony Fernandes
(click on picture for a larger view)

It seems paradoxical that a vessel with a name ‘River Princess’ gets so little attention while she still lies there motionless, waiting to be salvaged, after being abandoned off Candolim beach for more than half a decade. So far the government has done nothing serious enough to get it out. Fervent pleas by locals have fallen on deaf ears. The scale and magnitude of the damage to marine life, and pollution to the beach itself that could occur should this princess eventually fall apart, is unconceivable. Here’s an ode dedicated to the woe of a dying princess.

WOES OF A DYING PRINCESS

Abandoned by callous crew,
heartless owner, cruel master;
Helplessly I wander
And upon the sandy ocean floor,
I finally surrender.

An abandoned princess,
Now breathless,
Once the pride of the seas, a legend,
Here I now lie,
Weakened and orphaned.

Familiar faces of visitors every year on the beach I see
Happy folks stare at me, some with dismay, others with glee,
Tourists! Am I a butt of your jokes?
Are you laughing at me secretly?

Through no fault of my own I still languish here,
Yes, you there, I’m aware,
Did you not have more hair
When you were around here last year?

Saw you five years ago I do recall,
Seems you are having a ball,
Then you had one in tow,
Now you are back here with four,
Never mind but now you look much older though.

An old man, long ago, I must confess,
Seemed to share my distress,
Strolled everyday along the shore;
Where is he now I wonder, I see him no more.

Motionless as he stood there,
He wished me luck I could tell
With his eyes fixed in my direction
I guess he had for me a great affection.

He wished he could have me in tow
With his boat and float me offshore.
Something tells me
He must have once been a seaman
At the time he seemed frail,
Wherever he is now, I hope he’s well.

Epilogue

Tenders floated, pockets bloated,
Palms greased, work ceased,
Valuables plundered, hopes battered,
Money and time wasted,
Now no one is bothered.

Salvage companies: fleeced and vanished,
Negotiations, deliberations: went unabated,
World’s top holiday destination: Duh! I’m impressed!
But that a dying princess cannot be saved: I’m deeply distressed.

Tony Fernandes

Friday, April 25, 2008

OUR LADY OF FATIMA & THE GOAN CONNECTION

Our Lady of Fatima Shrine
Monte de Guirim
Bardez - Goa - India
(Photograph by: Tony Fernandes, October 2000)
Our Lady of Fatima and the Goan connection
Many of us have our own childhood memories of devotion to Our Lady of Fatima.
Here are a few of my own.
Our Lady of Fatima is a title given to the Blessed Virgin Mary. She is the Queen of Peace, Love and Hope. She appeared to three shepherd children at the Cova da Iria, in Fátima, Portugal, on the 13th day of six consecutive months in 1917, starting on 13 May.

The names of those children are Lucia dos Santos, cousin to brother and sister Francisco and Jacinta Marto. These are very common names in Goa. It was a Portuguese colony for over 450 years.

Also common in Goa are the names Fatima, Lucia and Francisco. Fatima was a name given to a village by the Moors who once occupied a part of Portugal.

My childhood memories often take me back to the years from 1953 to 1964. During this period the devotion to our Lady of Fatima was picking up at a rapid pace in all the parishes in Goa. The statue of Our Lady of Fatima circulated from house to house in the villages. The annual celebration and procession of devotees with candles and lanterns from Guirim church to the grotto at Monte de Guirim in the night was a sight to behold. As a young boy I accompanied my mother who made the journey to the top of the hill and still remember holding a lantern walking along with other children. Young boys and girls walked in front of the long line spiralling down the hill. Looking back at the curve around the Portuguese Aula (Escola Primaria) the variety of lanterns in the hands of the folks simply looked magnificent as we sang 'Pau Maie, Heo Maie, 'Ave Maria', 'Salve Rainha' and other hymns.

Grottos with life-size statues of Our Lady and the Three Children adorned the courtyards of many churches and still continue till today. Many homes have small grottos in their front gardens too.

The legendary Goan musician Antoninho Servitas De Souza composed the touching and beautiful hymn ‘Maie Kakutin Bhorlele’ (Mother, full of mercy) in the year 1949. This was the year when the statue of our Lady of Fatima was brought to Goa from Portugal. This timeless classic hymn in Konkani (language of the people of Goa) dedicated to Our Lady of Fatima is still sung at the slightest chance or suggestion, at feasts and otherwise, in churches, chapels and at Litanies that are commonly held in the chapels and homes in Goa. The melodic hymn is probably still sung at Goan occasions or institutions all over the world. Here below is the first verse and chorus:

Maie kakutin bhorlele
Rannie sorga sounsarache
Sodanch amchea mogan laslele
Sandumnakaim Maie mogache

Ch: Pau Maie, heo Maie
Ghe amkam tujea gopant
Pau Maie, heo Maie
Ghe amkam tujea gopant

https://www.youtube.com/watch?v=iest5Sapygc

The Fatima - Goa connection and devotion is still going strong as it has done in the past. The following events chronicled by the World Apostolate of Fatima bear testimony to the fact. These are a few, but valid indications that the devotion to Our of Fatima has continued since a long time.

1949 - Statue of Our Lady of Fatima brought to Goa from Portugal.

Oct 11, 1954 - Rev. Fr. Servulo de Piedade introduces the Blue Army in Goa.

Oct.27-29, 1978 - The 4th All India Blue Army Marian Congress held in Goa.

From 1954 to 1993 - The Pilgrim Virgin Statue of Our Lady of Fatima visited Goa 6 times.

May 16-18, 1986 - All India Fatima Apostolate Meet held in Pilar Seminary, Goa.
October 1992 - February 1993 - Visit to Goa of the Pilgrim Statue of Fatima. During these four months, the statue toured many Parishes and Institutions in Goa and stirred up tremendous religious farewell –Eucharistic and Marian- as Muslims, Hindus and Catholics gave the common Mother and Queen a truly Royal welcome. In one such very stirring and poignant journey of the statue was, I am told, when people from the Catholic and Hindu communities stood on both sides of the streets, adorned their houses with coloured string-lights, lit candles and lamps along the streets of Parra leading up to the Church of St. Anne that has a shrine dedicated in honour of Our Lady of Fatima.

November 13, 1997 - Goa takes over as the National Centre of India of the World Apostolate of Fatima.


May 13, 1999 - Bishop Emeritus of Belgaum, together with 10 priests and around 500 faithful participate in a day long Seminar at Don Bosco’s, Panjim, Goa.


May 1, 2002 - President of the World Apostolate of Fatima (India), Archbishop Henry D'Souza (Emeritus Arch-Bishop of Calcutta) presides at the 3rd National Council Meet held in Goa.

May 2-3, 2000 - The First ever National Council Meet of the W.A.F. (World Apostolate of Fatima) was held in Goa.

May 1, 2002 - The 3rd National General Body meeting of the W.A.F. India was held in Goa.

May 13, 2002 - FATIMA DAY - The 85th Anniversary of the 1st Apparition of Our Lady of Fatima was commemorated at Institute Piedade, Panjim.

The Blue Army
According to the World Apostolate of Fatima, Washington, New Jersey, USA, the Blue Army is a worldwide movement of the faithful, responding to the requests that Our Blessed Mother made to three shepherd children in Fatima, Portugal in 1917, to help save souls and bring peace to the world. It promotes Eucharistic prayer and the Rosary, as well as penance, especially the generous acceptance of the duties of our state in life.


International Pilgrim Virgin Statue of Our Lady of Fatima.
This is a world-famous statue that continuously circles the globe. It was sculpted by Jose Thedim, in the year 1947. The look of the Virgin Mary towards the heavens in prayer is depicted in the statue based on the description of Sr. Lucia, one of the three young holy children who saw Our Lady each month from May to October 1917 in Fatima, Portugal.

On October 13, 1947, the statue was blessed in the presence of over 150,000 pilgrims by the Bishop of Leiria at Fatima, Portugal, to be the pilgrim, the traveler of love, hope and peace, to the entire world.
The Miracle of the Sun (Portuguese: Milagre do Sol), also known as the Miracle of Fátima, is a series of events reported to have occurred miraculously on 13 October 1917, attended by a large crowd who had gathered in Fátima, Portugal, in response to a prophecy made by three shepherd children, Lúcia Santos and Francisco and Jacinta Marto.

Thursday, April 10, 2008

WHAT WILL I TELL THEM NOW?




WHAT WILL I TELL THEM NOW?


Poem by: Tony Fernandes
On my journeys the world over
I meet and speak to people about Goa,
At the slightest chance I sing praises
About our traditions and culture;
About our mando and durpod,
Zothi and grandma’s stories,
Endlessly I chatter;
Have they now heard about Scarlett?
I mean the crime or whatever, not the fever,
If so, what will I tell them now?

On my travels I show pictures of Goa
to people I meet
and a childhood picture of myself
standing in front of the chapel I carry.
Of our sun-drenched beaches,
white-washed churches,
And way-side crosses,
mosques, temples and green fields,
In words a picture I paint
of Shigmo and Carnival parades
that to visitors provide an exciting treat;
Incessantly I rant about our bazaars and feasts;
Have they now seen the pictures of faeces
Along the rivers and beaches? I wonder
Then what will I tell them now?

On my voyages to various distant shores,
In our ancestral proverbs I relate about the wit;
I harp about dedicated warmth in our pleasant welcome;
Proudly I insist that peace is our emblem;
That in harmony we dwell with no problem;
Have they heard about the priest being beaten? I wonder,
Tell me then, what will I tell them now?

Often my colleagues are held spellbound and awestruck,
“Sounds like a fascinating place” they often say,
Declares another: “I must go there on a holiday”,
“I am sure you will love it,
you will surely enjoy your stay” I firmly say,
“I was there some years ago” asserts another,
Have they seen the concrete jungles
that now mar the countryside?
I wonder, But what will I tell them now?

Performing like an ambassador
at the slightest option,
My friends to rapt attention
I hold with a history lesson;
Boasting about our land I depict
a picture of the lone farmer
In the fields with his plough,
Of fishermen braving rough seas,
hoping for an ample catch
And along the unspoiled seashore
pulling in the nets at dusk;
Have they seen the brazen,
belligerent, paunchy Russians
That roam the beaches now?
Perhaps not, I wonder what will I tell them now?

Latest events have inflicted on her a huge blow,
Left a scar on her brow,
White sands are now stained red,
My land once perfect and pure,
Unblemished and untouched;
Has now been tainted and corrupted,
Hatred in society has permeated,
My heart is torn, my pride is worn,
A guilty feeling I bear,
of myself to blame,
How will I face my new and old friends?
What will I tell them now?

Wednesday, April 02, 2008

It's Spring time again - the flowers will soon bloom



Tired of the long winter? Don't worry Spring is already here, and contrary to earlier rumours Summer has not been cancelled. It is still on the way.

Soon all the snow and ice will thaw, flowers will bloom and grass will grow; nature will be ours again and we will take lots more pictures of flowers; barbeques in our backyards will once again thrive and folks will throng the parks with family and friends on picnics or head out to the Cottage Country as Spring turns into Summer.

Saturday, March 29, 2008

MAGIC OF THE AIR WAVES



The Magic
of the Air-Waves
(of the Nineteen-Sixties)

WHEN WIRELESS RULED THE AIR-WAVES
Part I
‘This is the Commercial Service of Radio Ceylon’ came the announcement over the radio as I sat in the front balcao (balcony) of my house early in the morning. It was the usual routine – rising early to study. Then after a cup of tea, I would pick up the Philips portable transistor radio from the showcase, carry it outside, and place it on the ‘sopo’ (a mud-cement combination of blocks of seats on either side of main door of houses in Goa).The radio was quite new to my  house then. Only two other families had a radio in the entire village. My mother had stitched and fitted a custom-made cloth cover for it to keep the dust away. It had a flap that exposed only the dial. Flip the cloth cover over the handle of the radio, pull up and adjust its aerial, and it would then be time to tune to my favourite station “Radio Ceylon”, as it was known then. Searching for the station on the dial was quite easy once one got the hang of it. Switching to Short Wave, turning the knob and aligning the needle precisely to its position on the 31 Meter Band, and with a little bit of fine tuning it came on loud and clear - the magic of Radio Ceylon. At times certain orientation would be required for a better reception. Through the clutter of other stations in that particular region of the radio dial, it was immediately recognizable by its crispiness and clarity. As I shuffled and zipped through the static and clatter, various other broadcasts like Voice of America, Vividh Bharati and Radio Moscow popped out clear and sharp too. As the atmospheric conditions were more favourable for an optimum reception of these broadcasts in early mornings and late evenings, the popular programs could be received and heard crystal-clear during these times.

The instrumentals played on 'The Morning Show' by Vijay Corea from 7 am to 7.30 am were a real treat. From The Jumping Jewels with ‘Zambezi' and The Shadows with ‘The Foot Tapper’ were raging hits. Radio Ceylon also relayed BBC News from London at 7.30 am Indian Standard Time everyday. The news began at the end of the familiar six distinct 'pips' of Greenwich Time Signal. This was also the time when family members automatically turned towards their clocks to check their accuracy. It would have been precisely 0200 hrs GMT, in London. 'This is the BBC World Service’ came the announcement preceding the news. It was good news and bad news from the Western world that was often heard relayed through the years. Good news and bad news included in the news were reports about Soviet Union's Yuri Gagarin orbiting earth, the assassination of President Kennedy, and the death of Marilyn Monroe, the Air India crash on Mont Blanc, the tragedy of the Vietnam War and the deaths of 3 astronauts in the launch pad fire at the start of the first manned Apollo mission. As my brother and I walked to school, we would pass on the news we heard on the radio to other boys that we met along the way. But what this station of Ceylon Broadcasting Corporation in Colombo, Ceylon, (now Sri Lanka) was probably most renowned for was its 'Binaca Hit Parade' on Sundays, playing the latest English vocal top tunes that played a part in greatly influencing that generation by western English music. Another popular broadcast was 'Binaca Geetmala' hosted by golden voiced celebrity Ameen Sayani. In the evenings its daily 2-hour long listeners' choice program was exciting to look forward to. The suave voices of disc jockeys Vijaya Correa and Eric Fernando reverberated through the air when the world's most popular hits ruled the waves - from Elvis Presley to the Beatles. 'Happy Birthday to Me' by Hank Locklin, 'May the Good Lord bless and keep you' by Connie Francis were frequently heard, but the solemn narration of the 'The Deck of Cards' by T. Texas Tyler as the sun went down sent a chilling tingle down my spine. Sometimes as I walked home from a football match, or as I bicycled after having a bag of wheat ground into flour at the flour-mill in the neighbouring village, just a little after sundown, it was not unusual to hear these songs from Radio Ceylon's listeners' choice program coming out from road-side houses. Hank Locklin’s ‘Send me the pillow that you dream on’, Jim Reeves' 'He'll Have to Go' and Paul Anka’s ‘Diana’ were popular and often-requested songs. Songs by Ricky Nelson, Nat King Cole, Peter & Gordon, Everly Brothers, Doris Day, Bobby Darin, Brian Hyland, and Bobby Vinton would definitely be remembered by kids of those days till the present day. Pat Boone's 'Speedy Gonsales' was quite a hit then with ‘the plaintive cry of the young Mexican girl’ piercing through the stillness of the evening air. I always wondered if I had missed out on any of his favourite songs when the radio was temporarily switched off just before the recitation of the ‘Angelus’ in my house as the sun went down. Tracks by Dutch Swing College Band and Acker Bilk were often aired on special Jazz and Swing quarter-hour programs. By 9 a.m. a lot of chirp, clatter and other radio disturbances were audible as the signal got weak.


Radio Ceylon has had a profound impact on my childhood and teenage years, and has greatly influenced my musical background. This radio station was very much a part of our household during that golden era of short-wave radio and helped in maintaining a very happy atmosphere in the house and in the village. In those days very few houses had radios - mine fortunately being one of them - and our neighbours came over to listen to the evening's live request programme, thereby maintaining a friendly atmosphere and a tight social fabric.

Part II
Another broadcasting station that developed and shaped my love for Konkani, English and Portuguese music is ‘Emissora de Goa’ from the late fifties up to the morning of 18th December 1961. Portuguese songs 'Encosta tua cabecinha', 'Sonho' and 'Vem, vem minha flor' were often heard on the air-waves. The studios were located at Altinho, Panjim, and the transmitters at Bambolim, Goa. It was silenced temporarily by the bombs dropped by Indian air force jets at the time of Goa’s take-over by the Indian Government. Happy days were there again when after a respite of about two months broadcasting resumed with transmission ID as All India Radio, Panjim, three times a day, on Medium Wave. During the Portuguese era transmission began at 7 am with the Portuguese national anthem. After the take-over it was replaced by ‘Vande Mataram’ preceded by the unique signature tune of All India Radio, followed by Christian and Hindu devotional hymns, news in Konkani, Konkani songs and Marathi programs. Incidentally, the signature tune which helped in fine-tuning the awaited program was composed by a Jewish refugee in India, Walter Kaufmann, in 1936. The second segment of radio transmission began at noon again with English vocal and instrumental music, news in English at 1.30 pm relayed from All India Radio, Delhi, followed by English classical music up to 2.30 pm. It was on the air again at 6 pm with a line-up of Konkani songs, Marathi songs, bhajans and plays. Weekly late night Konkani plays were regular features. Sunday morning children's programme 'Honi Baili Vasri' rings a bell. The station, after it became a part of the net-work known as All India Radio, Panjim, also relayed from A.I.R. Bombay, songs by Alfred Rose, songs from Konkani films ‘Amchem Noxib’ and ‘Nirmon’, songs by Anthony Mendes and Miguel Rod in a 30 minute program starting at 8.20 pm, immediately after the news in Marathi (Bathmi). A.I.R. News relays began with the word: 'Akashwani'. The most popular broadcast listened to in many Goan homes was probably the listeners' request program of Konkani songs broadcast at 6 pm on Sunday evenings. Alfred Rose’s Konkani songs ‘Deu Nidonk Nam’ and ‘Suii, Suut, Cator’ were major hits. The melodic voice of Georgina Jaques emitted from the Philips radio, placed on the 'sopo' (mud-bench). A very popular former Radio Announcer "Aleixinho Da Costa alias Allen Da Costa" who besides being a longest serving popular Radio Announcer on Emissora de Goa /All India Radio Goa, was also composer himself and sang Konkani songs on AIR by public demand. Neighbours listened eagerly to hear their names on the request program at dusk. Young Menezes’ lightning-speed singing was a sensation, moral woes were well-depicted by Alexinho de Candolim and Souza Gião yodelled his way into the hearts of listeners of all ages. Those were the melodious days of my childhood – the days when a group of village boys sat down and wrote words of the songs as they were played on the radio. English and Konkani songbooks were compiled by the village boys that initially contained some misheard lyrics which were later corrected!

Among the English fare of songs that were given air-time those days were hits by Jim Reeves, Cliff Richard and the Shadows and Elvis Presley. Big Band Sound of instrumental music by Billy Vaughn, Latin rhythms by Edmundo Ros and a wide range of dance music played by Victor Sylvester were often heard too. Johnny Tillotson’s song ‘True True Happiness’ in particular was a big hit.

Announcer par excellence of that era was the prominent announcer and newsreader, Imelda Dias, with her pleasant and clear voice gracing the radio airwaves. She was a disc jockey on an afternoon program called: ‘Your favourites and mine’, besides presenting the ever-popular Sunday listeners’ choice of western music and songs. Billy Vaughn’s ‘Sail along silvery moon’ and ‘Summer Place’ were soothing preferences, while the hilarious vocal ‘Que la la, que la la’ (and the giggle) must have enthused many. 
The Short Wave transmission of Emissora de Goa was so powerful that it could be received in places as far away as the East African Portuguese colonies and in the Middle Eastern countries.

Part III
During my college days in Bombay in mid-sixties, Radio Goa was of course out of range there, and I missed it terribly, but Radio Ceylon would still make its presence with its ‘most powerful transmitter and first broadcasting station in Asia’ at the time. But Saturday would be one day that I would long for. Many eagerly looked forward to listen to the English program broadcast by All India Radio, Bombay, called ‘Saturday Date’ airing the latest hits of the time. ‘White on white, lace on satin’ by Danny Williams, ‘He’ll have to go’ by Jim Reeves, ‘Edelweiss’ and other hits from ‘Sound of Music’, and ‘Lara’s Theme’(Somewhere my Love) from ‘Dr. Zhivago’ and 'Baby Elephant walk' by Lawrence Welk & his orchestra were popular tunes heard then, not forgetting Nat King Cole’s ‘Cat Ballou’.

Part IV

During my working days in the late 1960's in the Trucial States of Oman (now the United Arab Emirates), it was the R.A.F. Radio Station that was broadcasting the latest songs of the time on Medium Wave. Among the frequently heard popular songs in the afternoon were The Scaffold's 'Lily the Pink', Mary Hopkins' 'Those were the days' and 'Sound of Silence' by Simon & Garfunkel.

The oil company ARAMCO had three stations broadcasting on FM. Clasical on 94.1 FM, Light Music on 103.8 FM, and Pop on 88.8 FM.Mhz - but the problem was the signal received from these stations was very weak. Clear reception was only in the summer months, especially on humid days and nights, very early in the morning or on foggy days and nights. Dedicated FM tuners with external antennae gave better reception. Some radios were better than others. 

The Nordmende, Telefunken, Grundig and Philips radios were excellent, giving a very clear reception. My 'Crown' FM Tuner was good too! Reception clarity mainly depended on the weather during the early and later summer months, due to the atmospheric phenomenon called 'thermal inversion' that effects transmission signal. Basically, cool, humid air aids signal transmission to further distances than normal, as it gets trapped below a blanket of warm air. The signal then 'zig-zags' along the top side of the warm air blanket reflecting it into space, and then gets penetrated to your radio via the cold air, thus effecting a better signal gain.

I purchased my first Philips FM Radio in November 1967, and then a Crown FM tuner in November 1968, but had tried in vain to receive any FM signal from the ARAMCO station. until the night of Christmas Eve when I heard a string of beautiful and spine-chilling Christmas Carols in the still of night of December 1968 until the wee hours of the morning. May be Santa Claus had something to do with this sensational phenomenon. Well-kown news reader Larry Barnes presented the news from United Press International with a crisp and clear voice and signature ending line "I am Larry Barnes' is the one that I remember up to this very day.

**************************************************

The furthest place that I have picked up the SW signal from Radio Ceylon was in Abu Dhabi (then a sheikdom of the Trucial States of Oman, and a British Protectorate) in 1969 on a Philips portable transistor radio. I was 22 years young then.

Radio Ceylon has probably influenced and contributed the most in broadcasting a huge variety of western music to countries in South East Asia.

One popular artist, and everyone's favourite, was Jim Reeves with a huge range of romantic songs during my teens. He was well-known to many listeners in Goa, Bombay and in the Indian sub-continent in general. Many singers tried to emulate his vocal style. Gentleman Jim as he was known, was my Mom and Dad's favourite singer, and perhaps a favourite of many other parents of that era.

There was one particular guy from Byculla in Bombay who sang at various Goan functions and sounded exactly like Jim Reeves in the mid-1960's. He was known as ‘Bombay Jim Reeves’. In fact I think Jim Reeves was more popular in India and Ceylon for his sentimental songs than any other western singer besides Elvis Presley, Cliff Richard, Ricky Nelson or Everly Brothers.

The radio literally played a significant and very influential role in our lives in Goa those days when we were young. It gave us substantial enjoyment and formed part of our growing up. Singing was a part of our social upbringing, be it at ‘Laudainhas’ (sung litanies in the village chapels, at the house of a family member or a neighbour before his departure for Bombay or Africa for employment, or at the jam-session on the evening of ‘San João’  in the balc
ão (Port. balcony) of the house near the well. ('San João' is a Christian festival of the Baptism of St. John the Baptist, when the young and old folks traditionally celebrate in an unique fashion).

The very clear reception received by a Grundig valve radio that used a long external wire antennae, near the village chapel in the adjacent village, was admirable. We held the radio in awesome wonder and considered it as part of our life-style. I still remember commuting to Mapusa to purchase batteries for the radio from ‘Auto Popular’. Those were the days - the glorious days of Medium and Short Wave radio.


All the folks in Goa, especially in my village of Guirim Cumbiem Morod may have not been able to afford a radio easily, but they made sure they listened to certain radio programmes at their neighbours house who had a radio. People who had radios in the villages always welcomed their neighbours to listen to interesting programs. There may not have been many radios, but there were certainly lot of listeners.

The youngsters of that era were also held spellbound when the first pocket transistor radio made its debut. Music, besides being a listening pastime in the comfort of the ‘balcão’ in the evenings during the long monsoon season, was also pursued by many Goans as part or full-time careers in Bombay and Goa. They studied music notation, composing music, singing in bands and playing in orchestras in Bombay. The Hindi film industry had Goan musicians, let alone they borrowing Goan Konkani song tunes. Goans played a wide range of musical instruments, from the violin and cello to the saxophone and piccolo. It was no wonder then and it is no wonder now, that there must be some truth after all in the saying that ‘music is in the Goan blood’. Many Goans have composed and played various musical instruments on the soundtracks of Indian cinema. Music was taught to children at a very young age in the Parochial Churches.

Today, in the Western countries, when I mention the names of 1950's and 1960' singers, or just happen to sing or hum those old tunes impromptu, people seem to be often surprised, turning their heads, almost in disbelief. I have often been asked as to how I know or remember those old tunes and words so well, and in key. That gives me an excellent opportunity and pleasure to introduce myself and give them a long lecture about Goan heritage, and time permitting, a history lesson about Goa and India at the same time and also about the famous radio stations of those halcyon days of yore - Radio Ceylon  and Emissora de Goa. That includes enlightening those who know not in which part of the world Goa or Ceylon (now Sri Lanka) is located.


Tony Felix (Felicio) Fernandes
Guirim, Cumbiem Morod, Bardez, Goa.


*****     *********     *****
As brought to my attention, by Mr. Mariano Pereira, Frankfurt, Germany, I apologize for my inadvertent omission, not neglect, in mentioning a very popular former Radio Announcer "Aleixinho Da Costa alias Allen Da Costa" who besides being a longest serving popular Radio Announcer on Emissora de Goa /All India Radio Goa, was also composer himself and sang Konkani songs on AIR by public demand.

Tony (Felix - Felicio) Fernandes

Thursday, March 27, 2008

Cemeteries of Goa



'AIZ MAKA, FALEA TUKA'

Cemetery of St. Thomas Church, Aldona, Bardez, GOA. India

Photograph by Tony Fernandes

(click on picture for a larger view)

Cemeteries of Goa

Every church in Goa has its own cemetery. It consists of a chapel attached to a high walled graveyard. My earliest memory of a visit to the cemetery was as a 9 year old at my grandmother's funeral. In the olden days a hand-drawn hearse was used to carry the coffin to church for the funeral rites. Pall-bearers then carried the coffin to the cemetery for the burial rites and internment, while the twin-tone chimes of the church bell tolled. As we entered the cemetery we saw the memorable and timeless words inscribed in Konkani on the arched doorway of the funeral chapel “AIZ MAKA, FALEAM TUKA”. Literal English translation of this common phrase is: ‘Today for me, tomorrow for you’. These proverbial words are made to appear as though apparently said by the person who has died before us, reminding us that death eventually awaits everyone. In fact the caption significantly makes a reference that death today is for him or her as he or she leaves us, but in the future death in turn it awaits those who have come to bury him or her. But in the broader sense, this rather reminds us that we, human beings, are mortals after all.

****** ****** ******
THE JOURNEY
By Tony Fernandes

When the final summons
Beckons at my door
To leave for another shore
I know it’s God call I can’t ignore.

It will be my life’s journey’s end,
Sudden and abrupt
Unannounced and undecided
I will have to leave in haste.

This departure I cannot
Adjourn, defer or halt
No luggage to cart
No time to prepare
Or say good-bye
Before I acknowledge
My final roll call.

Today I lament for loved ones
That I have lost long ago
But in turn will have to obey God’s command
When I have served my tenure and
And my time on earth is done.

Let me therefore do good,
Pardon my friend or foe
For it may be too late to do so
When God knocks on my door
And I am unable to look back
I have got to go.

When I am gone
My friends and family
May in turn
Grieve in pain and sorrow
And remorse so deep
So help me God to be good to others today
In what ever I do or say
So that I may be remembered
when the chapel bells toll tomorrow.

From up above I will only silently see
Unable to communicate or respond
Direct , guide or tell
But perhaps I could only wish
And hope there is at least one good thing
That I will be remembered by
If at all.

Friday, March 14, 2008

'FAREWELL' - A Tribute to the UAE


'Waltzing with the Cars'
Dubai - U.A.E.
Time Lapse Exposure
Photographed by Tony Fernandes 1996

Far in the distance: the majestic Dubai World Trade Centre.
Left: the Indian High School & India Club.
Right: Al Nasr Club.
Foreground: Vacant lot used as parking space & old go-kart race track.

FAREWELL

A long time ago did I set sail,
While I prayed my venture never to fail,
Boarded a steamer for a distant shore,
Unaware what destiny had for me in store.

On my voyage when I woke up at sunrise,
Saw silhouettes on the horizon
Of many a highrise, was finally let in
For a great surprise, Oh! Skyscrapers! I thought
But they in fact were beautiful wind towers in disguise.

Time here I spent for more than a generation,
Saw the rise of this great nation,
But if I have ever the chance to live again,
Never would refrain to submit another application.

This land I shall always remember,
And wish good times to prevail forever,
For it taught me never to surrender,
To work hard and still think of others who hunger.

Have seen days without the "air-con",
And nights without any 'hotel intercon',
In the twilight trodding home, would wait in earnest
For another day to come, at the break of dawn.

Now that the time has come to depart,
From this wonderful land where I made a start.
Home away from home, 
From my first I've so long been apart,
From my second I will cherish fond memories in my heart.

Memories I will forever cherish,
My host brethren never will I forget,
Their pride and hospitality I will always admire,
And having sighed a modest praise I shall retire.

First published in Gulf News Magazine, 25th October 1996

Tuesday, March 11, 2008

The Picnics on the East Coast, U.A.E.

Sunset over the Hajjar Mountains

The Hajjar Mountains
The Fujeirah Castle
'The Fujeirah Tree'
The Picnics on the East Coast, U.A.E.

Part I

Those were the days when we would go on a weekend picnics, with our friends from Sharjah and Dubai, to the scenic east coast of the United Arab Emirates. Sometimes the picnics were planned well in advance, sometimes from just a week ahead to a few days, while at other times they would be held impromptu and at a very short notice.

In most cases at least 3 or 4 families and their own family friends would chalk out the initial preparation plans of what we would do, the route we would take and what we should cook and the things each family would need to take with them for our day-long excursion, a driving distance of nearly 130 kilometers, one way.

During my early days in this region, the entire area consisted of seven sheikhdoms. It was then known as the Trucial States of Oman – a British protectorate. My very first picnic to the east coast was in a Land-Rover over dirt tracks and rough terrain through narrow gorges through the mountains.

Part II

It was sometime in 1970 during which the period the first 90 km asphalt-bitumen paved dual-carriageway from Sharjah to Dhaid was still in its construction stage. It was a fascinating trip, the scenery simply breathtaking – the serene wadis, the local Arab folks greeting us and waving out to us as we drove along.

Then by mid-seventies the entire section from Dhaid to Fujeirah via Masafi was connected. And by the late seventies the a single-carriageway road along the coast from Fujeirah to Dibba via Khor Fakkan was completed. It was then an ideal situation to travel to the east coast for a day of sheer fun.

We would get ready on a Thursday. A meeting point was established for the next day, usually a Friday - an official holiday for all. At the crack of dawn we would set off for the east coast. Making sure our cars were all filled up with 'petrol' (yes, that's what it was called, not 'gas') ('gas' was cooking gas or someone who talked too much was called!).

Heading south-east, passing mostly through desert areas, we drove in a convoy consisting of about five or six cars, keeping close and in sight of each other. In the absence of cell phones, we agreed on pre-determined compulsory rest stops along the way. 'TonFerns' mobile FM transmitter was turned on, with a variety of selected music streaming from his car, hoping that that others could tune in and listen within a reasonable range. No reception to other cars meant 'out of range' or far behind 'Tonferns' lead Mazda Station Wagon.We would arrive at the beautiful oasis town of Dhaid where we made the first stop for breakfast. We then proceeded onward to Masafi for a brief stop again for refreshments and a visit to the roadside grocery store and the carpet shops along the way. As we travelled on the stretch of the road from Dhaid to Masafi, we passed through sprawling vegetable and date farms, and scenic wadis that we could see down below from the hills along the way.

Part III

The local Arab men waved out to us as they went about they usual chores, tending to their camels and goats. The silhouettes of mountains against the rising sun were a photographer’s delight.

Descending upon the city of Fujeirah, we knew we were heading east as we could see the Arabian Sea. It seemed calm with oil tankers on the horizon. Looking north, in the distance were the Hajjar Mountains – a spectacular landscape. These mountain often appeared to have a purplish hue to them. To the south lay the mangroves of Kalba, and the coastal region of Liwa, Oman.

Them heading north, we cruised along the scenic beach road trying to find a reasonably good secluded spot to settle ourselves down in. To our left were the Fujeirah Mountains and to our right was the beach. We were unable to have the best of both, so we eventually decided to settle down on flat ground under a large shady tree on the lee-side of the mountain range. We could see the beach and the sea in the distance with the road hugging the lee-side of the mountain in between. We would have to leave the idea of going to the beach sometime after lunch or sometime during the afternoon.

Okay then, we thought, time to settle down now, park your own cars right and proper, clean the area of debris and stones, and roll out the straw mattresses on the ground, take out all the snacks and food and lay it all out. Try out a variety of eating fare, from sandwiches to patties, and grab your favourite drink.

Our kids were small then – they seem to be happy, they have already started running about in the sun. It seems that they have brought along some of their favourite toys too.

Part IV

Well then folks, let’s get going, we say to ourselves, we haven’t got much time you know, we have to make the best of the day. So its time now for some improvised sports: volley ball, football, badminton or playing cards. Soon all this should be followed by our usual and famous sing-song session without which no picnic is complete, not missing out of course on the traditional Goan folk songs. To sum it up, let’s put it this way: No song - no Goan, No Goan – no song, No song - no picnic.

It is almost afternoon, and it's time now to get the fire going.

“Hey Joe”, I hear Joan’s voice say, “Can you organize some fire to warm up the biryani?”
“Oh, sure” says Joe.
“ Hey Tony, can you help me get three huge stones to put the coal under, and also get the biryani ‘chatty’ to place on it?” says Joe.
“Oh, certainly”, replies Tony, while muttering to himself ‘will Joe ever do anything on his own without delegating the job to someone else? Don't you know Tony has got his camera on a tripod trying to photograph the acacia tree against the backdrop of the mountains?'
So Tony asks Vicky to help Joe. Vicky is a good chap - always very helpful, so he obliges. He's guy who does not know how to say 'no'.

Dom is setting up the volley-ball net – he has already tied one end of it to a tree, the other to the open trunk lid of his car. How innovative! Jolly Uncle Dom has always kids around him, and today has been no exception - he is digging a hole in the ground to set up a beach umbrella that he has carried along for the kids.

Part V

Then suddenly all men leave their games, and converge to confer how best to light up the fire. Our young kids lend a helping hand gathering fallen twigs from the desert trees. Very soon we see the fire going, and smoke signals are being sent up into the sky. Paper plates, forks and spoons are all out from the car trunks. Huge cans of water have been propped up on a folding stool to wash hands. There is no shortage of any drinking water either. There is laughter in the air. Every one is in a jolly good mood. Tony is playing his favourite country songs on his portable cassette-recorder. and he has made sure that the harmonica is there in the glove compartment of his station wagon for a later jam.

Suddenly, there is a flavour of Biryani starting to sift through the still air. Some men are seated on the fallen bark of a tree nearby, using it as a temporary improvised long bench, while the lone singer is strumming on his guitar to the strains of John Denver's 'Take me home, country roads', getting 'tuned up and ready' for a sing-song session. Seated next to him is Johnny, holding on to something that looks like a Pepsi can. Leena is busy talking to Jenny, telling her what all things she has put in the ‘Hyderabadi Biryani’ that makes it so tasty, while her visiting friend from Abu Dhabi is reluctant to part away with her secret mutton vindaloo recipe, come what may. This is because she has promised her friend who seems to have give her the apparent 'original recipe some years ago, and taken a vow, for an entire lifetime, not to ever disclose it to anyone else, come what may. It appears like she is adamant to keep it a total secret for a long time to come. Tony secretly thinks it won’t be a secret for long anyway, after he has eaten it.

The food is warmed up – and so are all men. Invariably, somehow they are all holding cold drink cans in their hands now like Pepsi, 7-Up, Coca-Cola and Soda. They are clutching them tight. Are they afraid to leave them anywhere around? Perhaps. They are possibly very hungry too, waiting to pounce on the biryani at the slightest hint or suggestion of three words: Now let's eat. But then the final whistle or grand final call for the food from the women is quite far away. Peter is trying to balance the skewers of mutton kebab over the coal. The salad is still being tossed! The potluck collection of food is quite an appetizing array. It looks like each family has contributed quite a bit for all to share. That’s the spirit that always was.

Part VI

Then someone hollers ‘Grace’. 'Grace time'. ‘Let’s say Grace’. ‘Come on, aunty, you start’. ‘No man, you start’ comes the reply. 'Grace' is recited after a short deliberation. Apparently there is not much of a rush after all to the folding bench where all the food is laid. Some of the food is laid on a mat on the ground due to insufficient space on the table. The kids are being served by Moms. Dads are still chatting. Others are are trying to set a date for the next Gala Dance they are organizing the following month in Ajman.

Finally every one has helped himself. Some discussion is going on about what we should do for the next picnic. Someone suggests we should perhaps come during the next Eid holidays and spend at least 3 days here. One chap recommends transportation by bus. Most agree as it is very tiring to drive back home with the sun in your eyes, or after the darkness falls.

After some rest, some of the men walk with their kids to the seashore to play in the sand. Some are seen taking forty winks under the shade of the acacia tree. Joe has managed to tie a bed sheet between a tree and the open trunk of his car while Sam snoozes below. Some men are in their favourite swimming trunks on the beach. Others are already in the water.

The afternoon is now slowly turning into evening. The sun will shortly go down over the mountain range. Heading north by north-west, it will be a long drive ahead and our mini-convoy of cars will shortly disappear into the sunset over Sharjah, as we hope to safely make it home, before eight o’clock. Lest we forget, it is still Friday. We simply cannot afford to miss one of the greatest and longest running series of the time that delighted us all, and that’s none other ‘Dallas’ and the conniving ways of JR.

Part VII

During the nineteen eighties, the entire coastal region was connected by a modern highway along the eastern part of the United Arab Emirates, spanning from Fujeirah to Dibba against the backdrop of the magnificent Hajjar Mountains.

Some of the other scenic spots along the east coast we had picnics were at Dibba, Rul Dhadna, Badiyah and Khor Fakkan. In the following years we did have some upgrades. We carried kebab pits and warmed food on portable LPG gas stoves. And at times we stayed at the local hotels and occasionally dined in a fancy restaurant. But there is nothing to beat the enjoyable picnics of the great outdoors - specially the ones on the east coast of the UAE of the olden days and ways.

These and other things we did were our simple pleasures of living, working and enjoying ourselves with whatever we had those days. But the picnics to the east coast of the United Arab Emirates will forever remain etched in my mind.

Article and all photographs by: Tony Fernandes