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TONFERNS CREATIONS - Tony's Art & Hobbies
Showing posts with label Spirit of Cumbiem Morod. Show all posts
Showing posts with label Spirit of Cumbiem Morod. Show all posts

Friday, January 10, 2014

TōnFerns Motor-boat

Sketch of

'TōnFerns' Motor Boat

fully hand-crafted by

Tony Fernandes

(and with a little help from my friends)

Goa - Circa 1963


The first hand-made miniature motor-boat

 ever to sail the rivulets of the village

of Cumbiem Morod, Guirim, Bardez, Goa.

In order to have mechanical handicraft as a hobby is not easy especially when only limited resources are at one's disposal.

So, if one had in mind to devise something like the above, it would be with whatever was available around the house and in the neighbourhood. Now, I'm talking about the 1960's, when I was in my early teens.

Of all things conceivable, to build a miniature boat was quite a stretch by any means in putting parts together in the old days and it posed a real challenge. In order to see one's humble concept come to fruition or realization was a difficult task.

However, the basic requirement to make a self-propelled miniature motor-boat would be the acquirement of the motor itself. One could buy this main part, and the on/off mini switch, from Auto Popular in the nearby market town of Mapusa. The carpenter at Canca - Parra was kind in cutting out the basic 15 in. x 6 in. flat piece, and helping me in making a battery compartment more or less according to my specifications! Luckily, the carpenter's son happened to be my good pal.

The motor was glued to another small angled piece of wood, thus raising it up a bit. The sides (about 2" high) all around were cut from an old tea-chest and nailed to the basic shape. Candle wax or red sealing lacquer was used to seal the gaps. A swing contraption was made into, something if at all one would call it, a rudder - fitted to the bottom. A metal rib from an old broken umbrella served as a motor shaft. Connection to the propeller was made by means of a sleeve from electrical wire. The propeller was cut out from a lid of an used condensed milk tin and slid over a small piece vinyl sleeve from electrical wire. Power to the motor, at most times, was supplied by old batteries with hardly any gumption left in them, salvaged from our portable radio. Pocket money, to buy and use new batteries in a gadget of any sort, was hard to come by.

Now, the boat is ready, but where's the water? The boat had to be taken and put to the water just a little away from my house. The best time to see the boat was during the onset of the monsoon season when the fields remained flooded. It was fun as many other young kids and village folks gathered around to watch the first hand-made self-propelled mini motor-boat ever to make rounds in the shallow fields of Cumbiem Morod, Guirim, Bardez, Goa.

Thursday, January 02, 2014

FEAST OF HOLY NAME OF JESUS - PAST BLASTER MOMENT




PAST BLASTER
2nd January 1966
Guirim, Cumbiem Morod.

Feast of Holy Name of Jesus

HAPPY FEAST TO ALL!

(Picture reproduced from an old slide) 
Kodachrome 64 ASA KR135 35mm
colour diapositive slide film)


Sunday, December 15, 2013

Feasts of Yesteryear



Guirim, Cumbiem Morod
2nd January 1966
Preparing for the feast
of Holy Name of Jesus - 
at the Chapel dedicated to St. Anne.

BACK IN TIME

The chapel is white-washed. Decoration seems to be in progress. Atop the folding ladders is your sincerely in favourite checked blue shirt, assisted by two other young guys. One of them is Sikander (a.k.a. Shiko). The holes for the poles were dug by none other than Benit Titi, God bless him too. The white lace curtains and linen drapes were kept in a special steel trunk at Beatrice Mana's house in immaculate condition. The camera that I used was a Samoca II, made in Japan. The slide film was Kodachrome 64 ASA 36exp. The transparencies could be projected on the wall. The slide film was processed by Bombay Film Colour Labs at Dadar 47 years ago.


Kodachrome colour reversal film from Eastman Kodak was a process-paid film available in the 1960’s in Indian sub-continent and in the Middle Eastern countries. During my years in Goa and Bombay, I sent my film to the Bombay Film Laboratories at Dadar in Bombay for processing in slides; and when I worked in Dubai, I sent them to Hemel Hempsted Labs in the United Kingdom. In later years I got the slides developed at the United Film Laboratories in Ajman, U.A.E.

The trend of colour slides declined over the years, and finally disappeared from the scene.

The added joy of taking pictures using colour slide films was that one could have a slide show for family and friends to watch at home by using a 35mm film slide projector. Thus one could not only have personal projection of slides at a evening get-together with family and friends, but could also have prints made from the slides as well if required. Though the cost of making this choice was expensive, it was fun as a hobby. The reason behind this extra expense was due to the fact that the colour labs had to first make a negative from the dia-positive slide, and then make a colour print from the negative.

The advantage of using slide film was the clarity, a balanced skin tone and general fine picture quality. The benefit of using medium speed 35mm 64ASA was less grain, resulting in exceptionally sharp pictures.

Wednesday, November 06, 2013

Benito the Handyman

      BENITO
The Strongman of Yesteryear

         Benito, the handyman, (Abdonio’s brother) was the tallest man in the village, standing at more than six feet (I think he must have been a least 6’4”). This amazing and admirable man had quite a remarkable stamina for his lean body frame that could very well have been made of steel! He could lift a ‘vanso’ or a ‘patti’ (a 15 ft long 4 in. x 4 in ceiling rafter) single-handed.

        Having a wry and subdued sense of humour, it seemed he never got tired of doing any work. He was an expert for precisely divining water patches in the fields for irrigation purposes, and helped to dig perfectly square wells and prepare the fields for cultivation very diligently, and estimate the exact quantity of tiles and other material one would need just by looking at an unfinished roof.

        He was a man for all night emergencies, including bringing the doctor to the homes of the villagers during sickness, come rain or shine, day or night – a walking ambulance of a bygone blissful era. Whenever he accompanied us on errands or to night ladainhas (famous sung litanies of Goa), to Tiatros (late night Konkani dramas) or to Christmas or Easter midnight masses, we were never afraid of the dark.

         Benit Titi, as the young lads of the village called him, was famous for his strong thick coir rope knots that he tied and held roof rafters, beams, huts and canopies that were bound together. Simply put, the knots were very difficult to untie. A master in the construction and decoration of a ‘matou’ (a very large canopy) for weddings in the village, at most times he did not require a ladder, obviously as he was very tall, perhaps the tallest man in the village of Guirim. He would accompany us to the nearby streams for a swim during the summer months and we felt happy and safe in his company as he would easily wade across the shallow streams helping us while we were learning to swim.

         He made quick and short work of most things. We could never have constructed the ‘matou’ without him (especially for the chapel village feast of Holy Name of Jesus) that was held annually on the 2nd of January. I remember that he was the only one who could retrieve the ‘petromax’ from the hook of any ceiling at the end of a litany, wedding or any other function, and call it a night.

No automatic alt text available.

Guirim, Cumbiem Morod. Preparing for the feast of Holy Name of Jesus - 2nd January 1966.

Decoration seems to be in progress. Perched atop the folding ladders is your sincerely in favourite checked blue shirt, helped by two other young guys. One of them is Sikander (a.k.a. Shiko). The picture was taken by my best buddy Gabriel Monteiro. The holes for the poles were dug by none other than Benit Titi. The white drapes were kept in a special steel trunk at Beatrice Mana's house in immaculate condition. The camera that I used was a Samoca M35, made in Japan. The slide film was 64 ASA 36exp. The transparencies could be projected on the wall. The slide film was processed by Bombay Film Colour Labs at Dadar 47 years ago.


Tuesday, October 29, 2013

Man of the Litany Hour

Man of the Litany Hour
(The Seniors of Cumbiem Morod)
Guirim, Bardez, Goa.

Abdonio, my favourite ‘Titi’ had an aura about him that made him a very likable man of distinct character, with his kind and pleasant ways in dealing with us - the youngsters of a bygone era. He was very helpful to all folks of our village, especially the very old.



He sang the litany by heart, word to word, no booklet required! The younger boys of the village relied on him for back-up as he knew all the tunes and words of the hymns that we sang in the village chapel. He would start with the first initial few bars with the right pitch for the litany and other hymns and the rest of the folks would take it from there.

When we were young, sometimes on rainy days of the monsoon season, the village boys and girls could not play outdoors after school in the evenings. So, at times, we went over to his house and sat with him in the balcony of his house to hear him relate old stories of our good old village of Cumbiem Morod. He regaled us with colourful accounts of his younger days and other short stories of wit and humour. It was getting dark as he still went on. Then as we heard the chimes of the Angelus bell of our village chapel, we would all rise as he recited the Angelus prayer at the end of which everyone wished him 'good evening' before we walked to our individual homes.


Many years later during our vacations in Goa during the late 1970’s, my wife and I often visited him in the evenings when he once again related wonderful stories of the olden days. His memory astounded me. I always thought he had a strong resemblance to my favourite American actor – Jack Palance. Before living a retired life in Goa, he had worked in Bombay most of his life.

Can I trade all my tomorrows for a single yesterday of those good old days? 

Sunday, October 20, 2013

THE ADVENTUROUS SENIORS OF CUMBIEM MOROD

     THE ADVENTUROUS SENIORS OF CUMBIEM MOROD     

          One of the first brave men and talented seniors from Cumbiem Morod with a firm determination to venture abroad for employment was the resolute Mr. Miguel Mendes, who worked for an oil company in Kuwait in the late 1940’s. He was considered as a pioneer and a role model for the village. A very modest and soft spoken man, he was very unassuming. A father of 7 children - one of his eldest daughters, Terezinha, taught us Cathecism in Sunday School. The village people admired him for his humility and kindness. He was talented in music and played the violin by ear - a talent that he has handed down to his grandson and namesake Michael Mendes along with his brother Savio.

          When Mendes Senior returned home on his vacation, the entire village seemed lively. He would have all the village folks at his house for a sung Ladainha (Litany). On Sundays he would hire a bus for all the village kids for a fun trip to Calangute beach followed by a wonderful treat of snacks and cold-drinks thereafter at sunset. He would also reserve a day for a long trek for prayers to his favourite cross on the top of the nearby hills of Canca/ Verla.

THE LEGENDARY CROSS:  http://tonferns.blogspot.ca/2012/04/blog-post_4991.html

          On his vacations to Goa during the early 1950’s, the Mendes residence was the first one to be lit up by the wonderful ‘Aladin’ lamp of yesteryear, that lit almost the entire village. It was in their house that I first had first heard the sound of vinyl records on on an HMV (His Master’s voice) gramophone. Vinyl records by Konkani singers like C. Alvares, Minguel Rod, Anthony Mendes, Jacinto Vaz and Kamat de Assolna and Pat Boone’s ‘Remember you’re Mine’ were the one of the first ones that I had heard and seen spinning on this incredible invention of that era.

Saturday, October 19, 2013

THE SENIORS OF CUMBIEM MOROD

THE SENIORS OF CUMBIEM MOROD

The first senior from our village ever to write and stage a ‘Tiatro’ (Konkani Play) was Custodio Piedade Fernandes. He worked in Bombay and had a grand and happy family of 8 children. His oldest son was very of photography and owned a 'Box' camera. His second son was a talented artist – Michael - my inspiration. Desmond – CPF's grandson and nephew of Michael (fondly called Miki), now carries those artistic genes forward that are evident in his art. Their white-washed house had the largest ‘sala’ (living room) in the village. It was big enough for a wedding reception, let alone a ‘ping-pong’ (table-tennis) table and enough standing space for their players' supporters. Boys and girls gathered in their home for all sorts of games like carrom, and board- games like draughts, ludo, and snakes and ladders and various other activities, that included a teenage jam-session singing the latest English songs of Binaca Hit Parade of Radio Ceylon (now Sri Lanka). Their home was like a club house for all the village kids especially during the rainy season. The area next to their house had the least number of coconut trees, so it was ideal to be improvised as a mini football ground for the boys of Cumbiem Morod.

Custodio Piedade Fernandes was the oldest ‘Titi’ (uncle), as we addressed him. All the young kids assembled at dusk to listen to his episodes of about an hour each every day, which would last for more than a month in total narration time. He must have had a memory of an elephant.  I still admire his great memory and extraordinary prowess in story-telling, which was mind-boggling. I cannot up to this day fathom the power of his mind, or the knack, his will or his wit of telling epic stories. There may be lot of stories told, but this genius could paint canvasses of suspense and intrigue with his delivery. Among his other fare included an endless list of episodes at dusk, just before the Angelus, especially during the dark and cloudy monsoon evenings, about the adventures of ‘Birbal’ that made us laugh our guts out, while his wife Virginia was getting supper ready for the huge family.

His stage and pen-name was F.C. Piety and well known in Bombay, where he worked most of his life. His house was the brightest at night. The door and windows of their house were always open and the chimney lamp suspended from the ceiling burned bright till late into the night.  He loved to gather and encourage the young kids and teenagers urging them to study hard and to work towards a goal in the future. Besides having a large family of his own, he welcomed other boys and girls over to his house. On the door step of their house was a sign engraved into red cement that read ‘WELCOME’.  I was a young lad when one day someone asked me what it means and I clearly remember to this day that I had answered: ‘Welcome munnchem balcao’. And everybody had a good laugh! 

Friday, October 18, 2013

THE TALENTED SENIORS OF YESTERYEAR

THE SENIORS OF CUMBIEM MOROD
(The Talented Seniors of Yesteryear)

By Tony Fernandes

Late 1950’s.  My little and lovely ward of Cumbiem Morod. Call it the north-west silent ‘Bairro’  (Portuguese for neighbourhood) of the village of Guirim, bordering the village of Canca to the north-west, Parra to the south,  Sorvem and Figueira wards of Guirim to the east. Sleepy and quaint community with hard-working folks. Sparse Christian and Hindu family homes living peacefully.

       Almost a forgotten little ward of Guirim – referred to and known for some reason as a part of ‘small Guirim’. There was no road passing through the village then, but a well-trodden path for many of the people of Candolim, Calangute, Nagoa and Arpora who wished to cut short through our village to Bastora and to the hills and villages beyond.

       Though a sleepy ward as it may have seemed, it was a very vibrant one in the 1950’s and 1960’s. The village of Cumbiem Morod consisted of about 15 Christian and 15 Hindu households. Most of the men of Christian homes were employed in Bombay and returned home every year, mostly during the months of April and May.

       These men were literate, and very adventurous, having first left their families and homes as early as the beginning of the 1900’s in search of employment in other parts of India besides Bombay (now Mumbai)  like Jodhpur, Ahmedabad and Surat in the north, and even as far down in Kerala in the south. During those days it was difficult to find employment in Goa.

       Likewise, the sons of these pioneers later often followed their fathers to work out of Goa. Though these great and adventurous men are no longer with us today, we owe them a lot of thanks for their guidance, for setting good examples in everything they did, for teaching us the good ways and values, and inspiring us in turn to do our best in whatever we attempted to do.


The women folk took care of their children in Goa, and made sure that they got education by sending them to nearby schools, sacrificing the companionship of their husbands. They worked in the fields cultivating two crops a year. Rice was harvested by the end of the monsoons, and various vegetables were grown at the end of the following season in autumn, in allocated patches in front of my ancestral home in Cumbiem Morod (now generally called Kumya) before the onset of winter. This agricultural cultivation provided sustenance during the summer and monsoon season, and even some more to spare, kept in storage until winter, part of which would be especially used as seed for the next crop, along with a variety of produce like sweet potatoes, corn, eggplant (aubergine/brinjal), beans, onions, chilies, cabbage and radish. A water-melon patch was planted separately along the raised pathway leading to Monte de Guirim.

Wednesday, October 02, 2013

REMEMBER YOUR GRAMOPHONE?


- HMV gramophone - 
~ similar to the one in picture at neighbour's ~
 *- Guirim, Bardez, Goa - Circa 1958 -*


78 rpm vinyl
 - Pat Boone's 'Remember You're Mine'



Thursday, September 12, 2013

The Little White House at Cumbiem Morod



         On the left-hand side of the picture of the house you can see stenciled lettering "Happy X'mas". Young boys went around the village stencilling the caption on the walls of houses in the village after the Midnight Mass.


         On the left side in the pic, on the 'sopo' is a circa 1960 model Philips radio, similar to the one in the picture below, tuned to the early morning English program of Radio Ceylon (now Sri Lanka). From the long shadows in the picture, it is evident the picture was taken very early in the morning. After listening to the BBC news relayed by Radio Ceylon, on Short Wave 31 meter band, I joined the other boys at the cross-path in the center of the village and walked to St. Anthony's High School, Monte de Guirim, Bardez, Goa, as a young lad. 

 Tilted on its stand is my 'Atlas' bicycle that my father bought for me during my mid-teens, fitted with a bell, horn, rear view mirror and a rear bracket, which I often used to carry wheat purchased from Mapusa market and later take it to the flour mill to grind it into flour. I also used it to run several errands, like fetching a doctor to the village in an emergency, to watch football matches in Duler, Mapusa, to attend Mass at St. Diogo's Church, Guirim, and to go to Calangute Beach in the months of April and May.

         On the top right of the picture a 'star' is seen and that surely indicates that the picture was taken during Yuletide. The 'star' seen in the picture was my own work of art like many other boys in the village, made of white translucent craft paper glued onto a hollow framework of bamboo sticks held apart as an expanded shape by sticks at 5 cross points. It was hauled up using a pulley and coir rope on a long bamboo pole. And at sunset it would be brought down to place and light up a candle or a lamp fitted to a thin flat piece of wood inside it and hauled back up above creating a beautiful aura of its own that said it all, along with some lanterns lit up under the roof edge of the balcão.

         The camera used to take this picture was a Japanese Model called 'Samoca', similar to the one in the picture below:


The colour slide from which the house picture has been reproduced is Kodachrome 35mm 64 ASA. The film was processed by Bombay Film Labs, and at times also done by Kodak Film Labs at Hemel Hempstead, England. I still have the 1 inch x 2 inches slide, that I used to project on the wall using a projector powered by batteries.

         Electricity first came to the village of Cumbiem Morod only around 1969.

Those were the days.

Tony Fernandes (a.k.a. Felicio)


The Fields of Cumbiem Morod, Guirim, Bardez, Goa


  
The above picture was taken by fabulous and innovative Master Photographer Gabriel Monteiro - circa around the early 1960's. So, that would be about 50 years ago!

In this very poignant and memorable picture, from left to right are: My Mom, my Dad, Benit Titi - the tallest man in Guirim and beyond! - unforgettable and extraordinary character - tall, slim but strong man, (Abdon Uncle's brother) Uncle Timothy, yours truly (Tony), and Aluiza (my loving and adorable Aunt) on the extreme right.

Picture description:

         We have just finished digging a perfect square-shaped well in the fields opposite our old house. Each family had their own well dug for watering their respective allocated patches for growing vegetables etc. in the winter/spring harvests.

         It is quite evident from looking at the picture that it is Benit Titi who has dug the well. What he's got on his shoulder is a pick-axe. My Mum is holding the rope on one side while my aunt is holding another. The ropes are tied to a woven basket that is not seen (obviously it is in the well). That basket is used to haul the mud up. You can see the pile of mud on both sides of the well. My Dad is holding a small 'counso' (pot) that was used to fill the big pot and immediately hauled up in quick succession, as the water kept on collecting while digging the well. Water and mud slurry was continuously drawn out as it kept on accumulating as the well was dug deeper.

         It so happens that Uncle Timothy has come down on a holiday from Ahmedabad, and is there lending a helping hand. In the picture, it's me holding a big 'counso' (copper pot) and a spade (khorem) as well. I could have been or 11 or 12 years of age. The two poles sticking out of the well in the foreground are uprights of a ladder (entirely made of bamboo poles) used to climb out of the well when the job is done.

         How hard we worked those days in the hot mid-day sun! From the shadows on our faces, it seems the sun is almost overhead. What can be seen in the distant background in this old photo is Beatrice Mana/Abdon/Benit Titi's house, but I could be wrong about that. The white spot you see on the extreme right could be our chapel?

         Hope you like the picture. Keep it on your computer and show it to your family members. It is a testimony of our very humble beginnings, and I'm proud of them! Many kids of my age then helped with all types of work in and around the house, and also with field chores, besides going to school, doing their homework, and play football, hockey, and all sorts of board games like Ludo, Draughts, Chess and Carrom.

        Sunday was special. All work stopped. Early morning Mass, then listen to Binaca Hit Parade, Radio Ceylon, Listener's Choice Radio Goa, and Sunday School, followed by a football game.


       God bless them, but sadly the other 5 people in the picture left us a long time ago; I'm the only one left to tell the tale! At least so far.

Wednesday, September 11, 2013

The Boys & Girls of Cumbiem Morod


               I thought the attached picture might be interesting in the fact that's is a treasure for Cumbiem Morod, which I have treasured for many years. It was among the few pictures given to me by Aunt Flory - my loving godmother and my most favourite person in our Vaddo of Cumbiem Morod - a few years before she passed away, as she thought, for some reason, the picture would be best carried forward to the next generation if it was kept in my possession.

               Now, here's some light on the fading picture, so to say:

The photograph, I was told by Aunty Flory, that it was taken in Bombay (now Mumbai) at the famous Back Bay Reclamation, Churchgate, circa 1948. That makes the photograph nearly 66 years old.

In the now fading priceless photograph from left to right, standing on the ledge are:
Uncle Miki, Uncle Assis and Uncle Cosme. Look at how proudly they are standing. The seem to be the caring leaders of the the group of other youngsters of their generation.

From left to right, standing on the footpath are:
Peter, Mary's son  & Abdon Titi's nephew who is carrying Joseph  (Martha's husband), Johnnie (standing, and perhaps shielding himself from the bright sun), and Jack (my brother) carrying me.

Foreground: Aunty Irene (God bless her). 

Further, details as described by Aunty Flory: We are all taken on a day's outing to the scenic and popular Bay, one year after India's Independence. Irene has just recovered from a bout of crying because the big boys did not let her stand on the ledge! And as for myself, I just simply seem to have refused to look at the camera because I wanted a side pose and simply refused to look at the camera.  Funny though, ironically, the camera eventually turned out to be my life's best possession.

My guess is that the picture was taken by Michael (Grand-aunt Sabina's husband from Candolim) or by Custodio Piedade (and Virginia) who were my older brother's godparents. My Mum and Dad were Uncle Assis's godparents.

Incidentally, Uncle Joseph and myself were born in the same year in Bombay - 1947 - myself on 7 January, Joseph on 7th March. Uncle Assis was very fond of photography - it was probably his camera that was used for this picture that has stood the test of time. He had the largest collection of photographs of almost everyone from the village in a thick album that we enjoyed browsing through from time to time on sunny afternoons or on rainy days when time on many occasions seemed to have simply stood still. I believe the album is now with Uncle Miki. A real pictorial treasure of our simple past.

Monday, March 11, 2013

The TōnFerns Torchlight (or Flashlight) - DeLIGHTful Memories of Cumbiem Morod, Guirim, Bardez, Goa.

~  The TōnFerns Torchlight (or Flashlight)  ~
 DeLIGHTful Memories of Cumbiem Morod,
 Guirim, Bardez, Goa.

THE 'TONFERNS' TORCHLIGHT
A flashlight (torch in British English)
Circa 1962

Necessity, they say, is the mother of invention. In the pre-electricity days in the village of Cumbiem Morod, Guirim, Bardez, Goa, during the 1950's when I was a young lad, every household used kerosene or chimney lamps to light up their houses at the ring of the evening call by the Angelus bell of the village chapel.

Then as darkness fell, it was time to run home from the football field (actually rice fields converted into a playground during the dry season) just to be on time for reciting the Angelus together with the home folks. Then it was bath time, rosary time, study time, supper time and late night study time by the kerosene chimney lamp!

In those days, people used hurricane lamps for longer walks in the night. And my Grandma was happy relying solely on the candle power from the light of the petite candle placed in the hollow of a coconut shell.



A flash light was useful, and almost a necessity, if one had to step outside in the darkness, because there were no street lights those days.

Some folks kept a torch in the house to use in an emergency. It came in handy in many ways - like for instance returning home from the nearby chapel after evening 'salve prayers' or 'novenas' preceding a feast, returning home from the grocery, or to accompany someone home after a late night party or litany (ladainha), or to check on something rustling in the grass in the backyard, or to check out the sudden flutter of the chickens in their humble abode (perhaps on sensing a visit by the clever fox) in the backyard! It also came in handy to keep a night-watch on the vegetable patch in the vast fields in front of our house. In rare cases it could be very useful to fetch a doctor from Mapusa in the night or safely accompany a 'torch-less' tipsy visitor to his own home.

There were different types of torches or flashlights in various households, 'Eveready' being the common brand. There was also another popular brand called 'Winchester' brought in mostly by Goan people working in the Arabian Gulf. They required standard 'D' size batteries and miniature incandescent light-bulbs that used a tungsten filament.The bulbs used for torches were as follows, and I was an self-taught expert at this.

A 2-battery torch used a 2.8 volt bulb,
A 3 battery one used a 4.2 volt, and
A 6 battery contraption like the one I made would need a 9 volt bulb.

These types of bulbs frequently blew or fused out on a sudden surge, and it was a good idea to keep a spare bulb in the house. My dad had his pristine and prized silver anodized 3-battery version which he always kept at the ready by his bed side. I had a 2-battery type solely for my use, poor light beam of which I was not happy with. (And Dad would not let me or anyone touch, or get anywhere near his!) It looked something like this one below:

So this prompted me to invent something of my own which I used throughout my schooling years.

The idea was to collect as many as possible discarded standard size 1.5 V batteries from old radios in the village, have them checked for some life in them, and discard the dead ones. I made a box out of old plywood to hold 6 batteries of 1.5V each and used a  9V bulb, fitted with a reflector and rear spring salvaged from an old out-of-commission torch, and a miniature on-off switch purchased from Auto Popular in the nearby town of Mapusa. The switch was fitted on top of the wooden box.  As the torchlight got dimmer, it was better to compensate for the decreased light output by changing the bulb to 6 volts. 

This was the most powerful torch in our village in those days, with its powerful beam reaching about half a kilometer (across the perimeter of our ward). Electricity came to the village in the late1960's, but my torch still held on to its glory in emergencies and during power-cuts until much later.

Please click on the following link to a related article: CANDLE IN THE HOLLOW OF THE COCONUT SHELL
http://tonferns.blogspot.ca/2010/05/blog-post_17.html


Sunday, February 24, 2013

TALENTED SENIORS OF CUMBIEM MOROD

THE SENIORS OF CUMBIEM MOROD
(The Talented Seniors of Yesteryear)

By Tony Fernandes

Late 1950’s.
My little and lovely ward of Cumbiem Morod. Call it the north-west silent ‘Bairro’ (Portuguese for neighbourhood) of the village of Guirim, bordering the village of Canca to the north-west, Parra to the south,  Sorvem and Figueira wards of Guirim to the east. Sleepy and quaint community with hard-working folks. Sparse Christian and Hindu family homes living peacefully.

           Almost a forgotten little ward of Guirim – referred to and known for some reason as a part of ‘small Guirim’. There was no road passing through the village then, but a well-trodden path for many of the people of Candolim, Calangute, Nagoa and Arpora who wished to cut short through our village to Bastora and to the hills and villages beyond.
  
          Though a sleepy ward as it may have seemed, it was a very vibrant one in the 1950’s and 1960’s. The village of Cumbiem Morod consisted of about 15 Christian and 15 Hindu households. Most of the men of Christian homes were employed in Bombay and returned home every year, mostly during the months of April and May.

           These men were literate, and very adventurous, having first left their families and homes as early as the beginning of the 1900’s in search of employment in other parts of India besides Bombay (now Mumbai) like Jodhpur, Ahmedabad and Surat in the north, and even as far down in Kerala in the south. During those days it was difficult to find employment in Goa.

           Likewise, the sons of these pioneers later often followed their fathers to work out of Goa. Though these great and adventurous men are no longer with us today, we owe them a lot of thanks for their guidance, for setting good examples in everything they did, for teaching us the good ways and values, and inspiring us in turn to do our best in whatever we attempted to do.


           The women folk took care of their children in Goa, and made sure that they got education by sending them to nearby schools, sacrificing the companionship of their husbands. They worked in the fields cultivating two crops a year. Rice was harvested by the end of the monsoons, and various vegetables were grown at the end of the following season in autumn, in allocated patches in front of my ancestral home in Cumbiem Morod (now generally called Kumya) before the onset of winter. This agricultural cultivation provided sustenance during the summer and monsoon season, and even some more to spare, kept in storage until winter. Part of this rice would be especially used as seed for the next crop, along with a variety of produce like sweet potatoes, corn, eggplant (aubergine/brinjal), beans, onions, chilies, cabbage and radish. A water-melon patch was planted separately along the raised pathway leading to Monte de Guirim.

Thursday, December 27, 2012

Christmas time in Goa 1965


Pictures converted to digital from
Kodachrome Transparency 35mm 64ASA
Camera: Samoca, Japan.

YULETIDE OF THE 1960's - Goa.
(Christmas in Goa of my youth - 1965)

On the left of the window is a sign that reads 'Happy Xmas'. This sign was painted on walls of all Christian homes using a cut-out stencil by us, youngsters of that generation, in the wee hours of Christmas Day soon after attending Midnight Mass.
Two lads held the cardboard cut-out stencil in place, while I brushed blue through the stencil and two others held lanterns on each side. Stealthily we moved from house to house when the folks were asleep. They were surprised to see the signs when they woke up in the morning on Christmas day.

Seen on the top right of this picture is the typical and traditional 5-pointed 'Noketr' (Star) in every home (except in the year when a family grieves for a lost one). It was made from a set of two star-shaped expanded pieces of bamboo framework, put together with translucent paper, guruth (glue made from flour and water) tassels for the five pointers, 'pontti' (oil lamp) or candle to illuminate it, a 20 feet long bamboo pole, pulley and coir rope to haul the 'star' up into the sky! This common star has never gone out of style since then, and for sure never will.

My bicycle tilting on its stand in the picture is 'Atlas' complete with horn, bell, lamp, rear view mirror and bracket. On the sopo (seat) on the right of the 'balcão' (balcony) is a Philips portable transistor radio, quite possibly tuned to Radio Ceylon, the most powerful Short-wave Radio Station of that era..The house was built by my late father in the year 1935 when he was 34 years old.

As can be seen by the length of the shadows, I took the picture early in the morning. Camera: Samoca, Japan. Film: Kodachrome Transparency Film 35mm 64ASA.

Power for the lighting of the crib was provided by batteries. I collected as many as possible discarded standard size 1.5 V batteries from old radios in the village, in advance; checked and kept only those that had some life in the them. I made a plywood box to hold 8 batteries of 1.5V each and wired them in series to give about 12V or less, then used 2 bulbs of 6V each in series - 1 for the manger and the other for the star.

At other times of the year I fitted a salvaged reflector from an old torch and fitted it to the front end of the wooden box mentioned above. This was the most powerful flashlight in our village and perhaps, beyond!


 

Wednesday, December 26, 2012

THE MANGER - Yuletide in Goa 1965


Converted to a digital picture
from a Kodachrome Transparency 64 ASA 
My house in Goa, Christmas 1965
Above the Nativity scene on the left is the altar (Konkani: Olontor)
On the right of it is a picture of
Our Lady of Perpetual Succour

Lighting to the manger and to the star above it,
 is powered by batteries.

Please note the antique chair on the right.

Tuesday, December 18, 2012

YULETIDE ON WHEELS


 Yuletide on Wheels
 Going back in time to a Christmas in Guirim,
 Cumbiem Morod, Bardez, Goa.
Noel 2006

It was a typical joyful evening of the season. As usual during this particular time of year happiness abounds everywhere around the countryside in Goa. During one such late evening, while I was on a holiday in Goa, I went to visit my relatives in the quaint little village of Cumbiem Morod, Guirim, Bardez, Goa, where I had spent my childhood.
The sun was about to disappear over the horizon and call it a day. The cool late December evening breeze blew across the village. Cars, trucks and scooters whizzed by the winding narrow road, quite unlike the old days when I went to school. The sunset had cast a reddish glow over the western evening skies. It was apparent the day was bidding adieu.

I gently swung back and forth on a rocking chair in the ‘balcao’ of my cousin’s elegant home, admiring the two beautiful ‘stars’ that glowed beautifully on both sides of the entrance of the house facing the hills of Mapusa in the distance.


Then suddenly as I turned my head towards my right I noticed that a bullock cart was approaching from the eastern part of the village. My curiosity led me to rise from the chair and proceed towards the road to try and get a closer look of the bullock cart.  A hurricane lamp attached to the arch made out of coconut tree leaves gently swayed to and fro. The bullock cart slowly drew nearer. It was then that I heard a chorus of children’s voices singing. I could hear the timeless and the most melodic eternal carol ever of Yuletide, Silent Night. The children’s voices gradually grew louder as the cart drew nearer. Soon the cart passed by us. It was then that I realized that it was a tableau on wheels featuring a simple Nativity scene on the deck of a good old and humble bullock-cart as seen from the rear.

This rare and beautiful treat for one’s eyes, nativity scene of the Holy Family was extremely touching. It was innocently portrayed by young kids. The scene touched the core of my heart reminding me of my own younger days. I was so overcome with admiration and joy that I instinctively followed the cart till the border of my village towards the west. People came running out of their houses and followed behind. The cart then slowed down and made a full turn heading back toward the eastern part of the village. The children singing Christmas carols followed dutifully behind the cart. All the kids following, including one in a garb of Santa Claus in this mini-tableau continued with their medley of carols, from one to another, in quick succession. The lone rider in front of the cart was quite careful and adept in leading them safely on the slow journey through the village.

One could say that the bullocks pulling the cart played their part too in presenting this awesome 'tableau on wheels' – with the bells in their necks chiming aptly just like Christmas bells. Their hooves kept time with their staccato while the grinding of the iron rims of the cart’s wheels over the paved road provided subdued percussion.

Bringing up the rear accompanying, guiding and helping this moving “holy young bunch” was a smart young lady, who I undoubtedly guessed, was in charge of this movable feast to everyone’s awe and wonder. The scene with all the strings of bright lights and typical ‘stars’ adorning the balconies of homes along the way added to the joyous spirit.

It was then that I realized that I had forgotten something. And what could that be? It was my camera of course, that I had left at home - a little distance away in the adjoining village of Canca, Parra. I regretted for not having carried it along with me as I usually do. So I approached this lady and asked her to let me take a picture before proceeding to get my camera. Permission granted, I raced back home on my scooter to get my camera for a picture of this tableau. I finally caught up with the exuberant group of youngsters as they proceeded on their way home a kilometer away to their own village of Vancio, Guirim, where this spirit of Yuletide was made with a simple, rustic and uniquely designed and a well presented tableau. A tableau on wheels. I felt awkward to stop their carol singing, but they were quite eager to pose for a picture.

Seeing me approach them in the twilight, the leader of the pack beckoned the bullock cart to a halt. The kids gladly posed for a picture that I requested. They carried on through the rest of their journey on the winding road back home wishing me a good night. That made my day, a photograph that bears testimony to the spirit of Yuletide. May God bless this group of exuberant and wonderful children wherever they are today.


Tony Fernandes
Author of: Goa - Memories of My Homeland (Poems & Stories)
This article first appeared in Goanet-News

[Goanet-news] Goanet Reader: Yuletide on wheels... a Christmas in Guirim (Tony Fernandes)

Goanet Reader Mon Dec 18 14:46:23 PST 2006    


YULETIDE ON WHEELS: GOING BACK TO A CHRISTMAS IN GUIRIM


Thursday, January 12, 2012

RETRACED FOOTSTEPS - GOA REVISITED



Retraced  Footsteps
Goa Revisited (Part 1)

It was a long flight over two oceans and three continents. The plane circled once around the airport, made a smooth landing and finally came to a halt. The air outside was distinct, but slightly humid for the time of year. The airport building had changed quite a bit since his last visit. Felicio’s holiday in Goa was about to begin.

The taxi took on the sweeping curves along the river bank. As they were about to turn homeward to the north at the T-junction at the base of the hillock Felicio saw the famous bridge looming over the Zuari river. The barges transporting the iron-ore slowly maneuvering their way under the bridge brought to mind a familiar sight of the past that had not changed.

The breeze hit his face through the open window of the taxi bringing some relief from the heat of the afternoon sun. Scooters were plying about almost everywhere. It seemed that everybody on wheels wanted to overtake Felicio’s hired taxi. Everyone seemed to be in a rush. “Who said we were susegad?” he mused to himself, “or could it be the scooter riders were not Goenkar?” he wondered.

Along the way the friendly cab driver casually gave Felicio a news brief first at state level, and then in a subdued tone a weather forecast followed by a general look at the prevailing situation of the land. As the taxi slowly came to a halt Felicio was surprised that he was home earlier than he had expected. He was quick to realize that it was due to the fact that new bridges were now built where none existed before, and so he did not have to wait at the ferry crossings, although he was rather perturbed to hear from the driver that the pride and landmark bridge over the river Zuari has some new problems.

The drive home was an enjoyable and also quite an experience. Apartment buildings now dotted the entire landscape. Felicio was surprised to see the pace of construction going on in places where in the past rice crops were cultivated. Huge factories and their smoke stacks emerged high in the distance north-east of the Zuari.

Felicio’s village was bustling with great activity. It appeared to have undergone a metamorphosis. The footpath that ran beside Felicio’s house had now become a street and the once narrow lane in front had become a major thoroughfare. At first sight everything around seemed strange to him. He would somehow try to handle this unexpected situation and take the change in stride gradually, he thought.

His good old neighbour and childhood friend, Manu, waved out from the balcao of his house across the street. He hollered a warm and enthusiastic welcome over the din of traffic. Felicio was glad to see that Manu had not altered the façade of his house. Manu had now retired from his job as the compositor at the printing press in the city after a service of 35 years.

The afternoon swiftly transformed into evening. The road in front of Felicio’s house was full of hustle and bustle. It seemed as if it had now been converted into a major highway by a popular vote. Forty years ago this was a footpath, then a convenient road, now a highway. Felicio remembered how he wrote application after application to the Panchayat for the necessity of a road. Should he write now ask for the old footpath back, he thought. People were speeding home from work on scooters. Bus drivers drove with one hand on the steering-wheel and the other constantly on the air-horns. The change was quite overwhelming.

As it had been habitual during Felicio’s previous vacations, he decided to go around the village and visit his neighbours. This, he remembered, was something he had done from the time of his college days in Bombay. In the month of April he would travel to Goa by ship to spend his summer holidays. Visiting neighbours had been a courtesy and a habit since the days of his teens. Also he felt he should not let them presume that he has forgotten them.

His first visit was to the house of his closest friendly neighbours to find out how they were doing. Tia Anna hugged him and said she was now old, almost in her late 70’s, and lived alone. He remembered he had seen her upright long ago, but now she appeared frail and hunched. Her son worked in the Arabian Gulf. Felicio’s aunt slept over at her house since she had not been keeping too well lately.

While he was away from home he had often thought about Titi Joao. As a young lad Felicio and other boys in the village gathered around in the balcao of his house and attentively listened to the lengthy and intriguing stories he related during the evenings soon after Angelus prayers. His passing away saddened him.

Paulo Titi had passed away too. Aunt Maria had survived him. Her relatives were now living with her. As a child Felicio had played badminton in front their house. In the beginning the boys used a rope tied between two coconut trees. Later Paulo Titi had provided the village boys a real net, strong bamboo poles and powdered chalk to mark the boundaries. Paulo had organized village tournaments for them, and being a keen football player himself he had encouraged and given them tips on the fine art of the game.


Retraced  Footsteps (Part 2)

The house located on the perimeter of the village had undergone a major change. It was now a modern house with a terrace. But sadly Felicio could not find the old owners there. Apparently some people who did not speak Konkani now had now occupied it. A few houses had somehow managed to keep up and maintain the old rustic pattern.

The next day, rising early in the morning, Felicio decided to take a stroll on the old path leading to the fields that he along with other boys walked on their to school . He tried to retrace the trail through the vast expanse of the fields. He was in disbelief to find that it was overgrown with wild plants and weeds. It appeared to be seldom used. Then as he was returning home he was pleasantly surprised at a remarkable revelation - to see a bus passing in front of his house that had “ST. ANTHONY’S HIGH SCHOOL, MONTE DE GUIRIM”, sign-written in bold blue letters on its side, picking up the students. That explained the overgrown weeds! No wonder, he thought, he could not find the old path to school!

One of the great experiences in attempting to relive the past was going to buy groceries from the market in the nearby town. One of Felicio’s neighbours was good enough to acquire a scooter for him. It took him nearly a week to muster the courage to venture on the street, another week to try and remember to keep to the left side of the road and join the rest in the general approach, method and style of driving, manner of honking, maneuvering, braking and turning either left or right. Since he could not fight them he decided to join them.

In equally trying circumstances, it took him another couple of weeks to gather enough nerve in getting behind the steering wheel of a car and learn the peculiar art and special technique to get around in the busy town. He went to the bazaar everyday and bought fresh fish and vegetables and drank Kingfisher beer. He visited his relatives and friends, far and near. He went to the beach with his new friends and drank some more Kingfisher beer.

Getting across to the other side of the road in the market town was quite a feat - an accomplishment unlike the old days. He had to be very careful. Motor-cycles, rickshaws, buses and trucks whizzed by every second and in all directions. It seemed as if it was a free for all. After waiting for nearly five minutes to find a clearance between speeding trucks, buses, private cars and motor-cyclists he finally managed to cross the street. He felt it was indeed a major achievement. This happened everyday. And on the many occasions he accomplished this feat, he thought he had triumphed, glad that he had emerged as a victor, thankful to be alive to tell the tale on the other side.

In the first week of December he celebrated the Feast of St. Francis Xavier. People flocked to Old Goa throughout the month of December and then until the first week of January. Felicio managed to squeeze a suitable day one early morning. Rising up much before dawn he made a trip to Old Goa and unbelievably was home for breakfast by 8 am.

Combined with the ongoing festivities of IFFI, people flocked to the city, Panjim. On his visit to this beautiful city he had an impression that somehow some things had been left unfinished – pavements stones were stacked up in piles in several places. Government buildings, the balustrade along the river-side promenade and lamp posts were carrying a fresh coat of paint.

Then it was Carnival – the beautiful floats made their rounds in the major cities – while tourists and Felicio walked around some unfinished pavements.

There was a slight lull in gaiety during Lent followed by some in sobriety, moderation and solemnity in the villages. And by Easter it was time for us to join in the festivities of Shigmo.

In the old days the  market place in Mapusa was busy only on the day it is best known for – the famous ‘Friday Bazaar’ day. But now every day seemed like a Friday.

After circling around for about 15 minutes he eventually found a parking spot where he could barely nudge in between two scooters, realizing that he had made a wise decision in not using his car to get there.  Another major accomplishment, he thought.

There were hawkers everywhere – at the entrance to the market and on the pavements too. The walkways were full of a huge new variety of merchandise. Half-clad white tourists with a local in tow roamed around the crowded bazaar. Women in mini-skirts and big fat sweating men in shorts with huge bare bellies wandered amidst local folks.


Retraced  Footsteps (Part 3)

Felicio continued his daily visits to the bazaar to buy fresh fish and vegetables and drank more Kingfisher beer at his favourite restaurant in the town. He visited his relatives and friends, far and near who had invited him for their village feasts.  He went to the beach with his few old friends and made some new ones.
 
Lenten services brought back memories of childhood. Taking part in the solemn procession winding its way around the hill-side and around the perimeter of the cemetery with life-size statues of Christ carrying the Cross, and hearing the touching notes and words of the motets sung in Konkani sent a chill up his spine. In enacting the crucifixion elders guided the young men who climbed up on the ladders to retrieve the “body of Christ” while the haunting rattle of the ‘matraas’ echoed through the church.

After the church services, Felicio, thinking about his childhood glanced around casually if he could find familiar faces of his younger days. Luckily spotted a few and met them after the services. He was conscious of the thought that he must have appeared a little older just like they did to him, though none of them made any comment. Perhaps each one could notice the old missing sparkle in the other. Thoughts of younger days sent a lump up his throat. He made his way home on the scooter thinking about the times when he had covered the same distance on foot. However better times in later years had followed when his father had bought him his first bicycle.

Of course, none of Felicio’s visits to Goa would be complete without visiting his Alma Mater, situated atop the hill and known as “Monte de Guirim”. This time, a guided tour of the new building followed a long conversation with the Principal and the Headmaster of the school. The new purpose-built wing, which features a novel sky-light, broad corridors and stair-well, is actually built on the very same spot where a humble but massive shed first stood in the early sixties. Felicio seemed to drift far away in his thoughts taking him back in time, remembering his class in that shed, when the Headmaster who was once a pupil in that same school startled Felicio echoing his own sentiments when he said: “Remember the old days?” “Oh, yes,” Felicio replied, “I still remember those were the days when during a heavy downpour in the monsoon the students would have had to shift to a safer place to avoid the drops of rain ruining their study books”.

Felicio then paid a quick visit to the refectory, and while passing through the kitchen he was pleasantly surprised to see a medium-duty winch on an overhead I-beam track that is now used to lift the huge cauldrons of food from the cooking stoves. Innovative! Before his departure Felicio decided to pace up to the eastern corner of the terrace just below the refectory and next to the garage where once the famed “Land-Rover” stayed parked. But something was missing. It was the mango tree.

“Just let me cast one last glimpse south-east towards the beautiful and pristine landscape of fields and green hills of Socorro, Porvorim and Sangolda before I depart” a thought that he heard himself whisper as he gradually panned his head like a movie camera. And he took it all in! The green watermelon and vegetable patches in the distance lay sprawled along the twin roads that led to the hilly slopes of Sangolda. The view had not changed much. “May it always remain so and not turn into a concrete jungle”, he prayed.


Tony Felix Fernandes
Author: Goa – Memories of My Homeland